Carpe Diem Baby!

Sometimes I feel that my life is shrinking before my eyes. I’m nearly sixty — how on earth did that happen? I don’t feel old and we live in the world where 60 is the new forty don’t we? So, clearly I’m not. In any case, my soul or whatever you want to call the internal entity that feels like some sort of mini-me remains obstinately and happily oblivious to the passing of the years. Seems there’s a reason why they’re referred to as our ‘inner children’! I think of mine as my inner-Barbie because — like Peter Pan, she seems to inhabit some sort of Neverland where she is forever young. However, unlike the redoubtable Pan who remained a child, my Barbie seems to have cleverly arrested her growth at that beguiling mid-thirties stage. That wonderful place where chronology hasn’t yet won, the body is still beautiful and the spirit is beyond the myopic self-obsession of earlier ages and stages.

Just for the record, I do know I’m not stuck in a time warp circa 1995. I kind of get that every time I’m called to the dark side and consider buying a pair of flat shoes. (Instead of the gorgeously impractical and increasingly hard to walk in high-heeled varieties I have been seduced by all my life.) In recent years two schoolmates and a couple of dear friends have died, among them my first love. That’s certainly chucked a bucket of very cold water in Barbie’s youthful smiley face I can tell you, and accounted for a fair amount of the feelings of shrinkage. But I’m now also facing that old clichéé where time is speeding up. When you’re young the minutes pass like hours and there is a constant feeling of boredom because time stretches out to infinity. Now, I’ve got to that place the young can’t understand where the hours, days, weeks, months and years speed by like the counter in HG Wells’ Time Machine.

Time to carpe diem I say. Grab each day firmly by the throat and make it count. So much better than being subsumed in a myopic obsession about some much desired future state. Whether this state is a new job, a palatial home, a more exciting partner, a super-yacht, some publisher discovering you, winning a career changing award, the in vitro treatment delivering the longed-for and almost given up on baby, running away to live on an Ashram or joining the crew of the Sea Shepherd, putting everything else on hold until some new state arrives seems to be just plain dumb. Let’s face it, scenarios like the current Trump’s/Jong-un brinksmanship play merry Hell with all of our aspirations. But I’m still loving that it’s a gorgeous winter’s day and I’m free to sift through the Op-eds and indulge myself in writing this post. No fires to fight, no ferryman to pay. The future can go hang. I’m happy in my moment. After all, WTF can I do about the mine’s bigger than yours thing that’s going on between those two equally unappealing and childish so-called men?

The carpe diem aphorism comes from Book 1 of the Roman poet Horace’s work Odes written in 23 BC. Carpe diem has long been used as a standalone phrase which people like me think of in terms of living in the now. But the context from Horace is carpe diem, quam minimum credula poster — “Seize the day, put very little trust in tomorrow (the future)”. Horace’s point being we can’t see what the future will bring, but we should do everything we can today to stack the odds. Not to trust that everything will randomly fall into place.

When I thought about it, the gnarly problem of retirement planning sprang to mind. This is something of a sensitive topic for me at the moment as I’ve taken some significant risks with my financial future by treading the path of an entrepreneurial wannabe. The pot of gold at the end of this rainbow has yet to materialise and was looking frighteningly empty for a while. Putting all your financial eggs in the startup basket is a genius strategy if your name happens to be Bill Gates, but not so flash if you’re a John DeLorean and the expected high returns turn out to be little more than surf breaking on the rocks of hubris and self-delusion. While my investments are currently looking a bit healthier than they were a few months ago for a number of reasons, I still have anxiety dreams about becoming an ageing bag lady wheeling my few possessions round in a shopping trolley — pretty certain that the amount I’ve paid into my pension fund won’t cut it on it’s own.

In all likelihood, Horace’s contemporaries weren’t agonizing about whether their KiwiSaver contributions would see the distance. In those days, apparently if a baby made it through its first year, it could expect to live to the ripe old age of 34. Reaching your fifth year delivered the heady possibility of making relatively ‘old bones’ at 48. That’s a total of 17,520 diems to carpe if you want to get granular. Just as an aside, I wonder what went wrong between the Old Testament expectations of three score years and ten and Roman times? Must have been something to do with all that endless wandering around in the dessert as opposed to stagnating in the stews of Rome. Of course there’s also the thing about being God’s chosen people…

Anyway, in Ancient Rome, it’s thought that less than 5% of the population at any one time would be over 65. What a sensible arrangement!  All those lovely lovely younger generations oozing tax denarii into the exchequer leaving no question about the state’s ability to provide for its aged and infirm. Not that Rome was exactly a trailblazer in the realm of social welfare, so this line of thinking is somewhat pointless. But the Roman equations are interesting in comparison to our ageing ‘Boomer’ reality, which is leaving many people angsting about their financial futures. The upside is that this is a temporary blip. Assuming that the militaristic fat boys step away from their nukes and stand down from the standoff, with the rate at which birth rates are levelling off of or falling in the west, we’ll be back to the healthy Roman proportions of youth to age before you can say “climate change is killing us”.

All joking aside, there’s a balance between living in the moment and leaving the future to chance. In the context of financial planning, for sure there are many variables such as how long we’ll live, how much money will be needed to achieve the twilight years lifestyle we aspire to and what environmental factors will kick in to derail it all, not to mention the whole Pandora’s Box of our health. But that doesn’t means there’s no point. Yay, this is where I get to use all those cliches like failing to plan is planning to fail (Alan Lakein after Churchill and Franklin).  Like, if one does not know to which port one is sailing, no wind is favourable (Seneca the Younger — and didn’t those ancient Greeks knew a thing or two BTW? Bet their life expectancy was higher than the Romans). Then there’s, it does not do to leave a live dragon out of your calculations if you live near him (Tolkien). For decades business gurus have been preaching the gospel of vision, mission and values as the foundation to success. Rightly so. Businesses are much more likely to achieve more, do better, make their shareholders wealthier, trade ethically etc. if they have some inkling of what they’re aiming for. It’s no different for us as individuals. Visualising what we want is much more likely to deliver than chasing a series of shiny new things down rabbit holes.

I used to have a friend who was obsessed with spontaneity. She didn’t like being tied into commitments or rules and regulations, preferring instead to live her life on ad hoc terms. We often used to argue a lot about this. Apart from anything else, it was deeply irritating that her need to be spontaneous resulted in her total inability to get anywhere on time. This fed my position which was that I don’t think you can actually be spontaneous unless you live within a structure from which you can break out. If spontaneity is your life mission it’s got to lead to chaos because nothing can ever be achieved. In a similar way, having no life plan invites chaos in. Seizing the day is not only  about visualising and working towards a desired future but also about enjoying the journey no matter what the outcome. As Robert Burns knew so well, “the best laid plans of mice and men gang aft agley.’ Pity to get to where they’ve gone agley and there’s only disappointment and a black hole which sucked in time passed in waiting. The best bit is that with a vision, the whole concept of retirement planning becomes moot because we already know which port we’re sailing to. That we want our days to end in a Disney Castle or an Indian ashram or somewhere in between. Clearly circumstances do frequently rain on this planning parade, requiring regular recalibration, but to me that offers better odds than relying on a Lotto win.

In terms of feeling that my life is shrinking before my eyes, I’m determined to make better use this precious and diminishing time resource that once seemed a commodity. Stop bleeding out on things that don’t matter. Letting time slip away like Dali’s Melting Watch in the featured image. For sure, I need to do what it takes to get some decent returns from all the time I’ve invested in my businesses so the ageing bag lady scenario remains simply a bad dream. But I’m visualising as I write and my scenario always includes enough money to see me out in style and allow me to do all the other things I have factored in.

In this vision, when the bell tolls for me, I plan for it to interrupt something amazing. To continue the annoying references, I will be living my days rather than counting my years. Go to India and Antarctica. Take the sentimental journey home to Scotland and write my memoirs en route. Get therapy for the rampaging arachnophobia that makes any attempt at gardening feel like a journey to Mount Doom! Actually turn up at my orchestra having done more than one cursory run through of the music. Or better, stop beating myself up if I don’t! You get the picture I’m sure? Carpe diem indeed!

 

 

 

 

 

 

 

 

 

 

 

 

Sing long and prosper!

I love to sing! Like Barry Manilow, music was my first love and it’s still way ahead of some of my subsequent loves I can tell you! (By the way, where is Bazza now … and does anyone care?) When I was a kid, I used to drive my sister insane by warbling away in the morning from the moment I got up — what a happy little songbird I must have been, trilling away in my own little dawn chorus! To be honest it wasn’t just my sister I irritated. This compulsion to sing has gone on to irritate flatmates, partners, workmates and basically anyone within my orbit in the early morning! I live alone at the moment and I even irritate myself from time to time. But none of this has ever stopped me and I expect, again like the aforementioned Manilow, music will be one of my last loves.

OK, you get it, I really do love music in general and singing in particular. Over the years, I’ve sung in festivals, backed a band (that didn’t make it), formed a duo for music at functions as well as being a member of a number of different choirs. At the moment, I sing with the Orpheus Choir of Wellington. Orpheus is a symphonic choir. That means there are enough of us — up to 150 at any given time — to credibly sing some of the biggest choral works that exist. I’m no Maria Callas, but I’m truly grateful to be able to perform at this level. In the year since I joined, we’ve covered the sublime (Mozart’s seminal Requiem Mass) to the ridiculous (nonsense verses by Ogden Nash set to music), and everything in between. I’ve sung music I didn’t know existed (Vaughan Williams’ Sea Symphony) as well as life-long favourites (Beethoven’s oh-so-famous Ode to Joy, the finale to his towering Ninth Symphony). We’ve performed everywhere from concert hall to cathedral, from Zoo to street festival.

Last weekend, we staged a couple of the most spectacular and difficult of all choral works; James MacMillan’s Seven Last Words from the Cross and Leonard Bernstein’s Chichester Psalms. In the astonishing acoustic of Wellington’s cavernous Art-Deco cathedral, my friend who attended reported that it was a visceral and moving couple of hours.

For sure, this type of music is not to everyone’s taste, but there are so many alternatives to enjoy. Who’s never sung in the shower? Believe me, if you haven’t you’re missing out big time! If that’s not your thing, you can get your armchair rocker on with the help of software like SingStar, hit a Karaoke bar and astonish/amuse your friends or simply let rip to your favourite playlist whilst driving. You don’t even have to be any good at singing to enjoy it. As Henry van Dyke so beautifully put it, “the woods would be a very silent place if no birds sang except those that sang best.”

But the greatest thing about singing — and this is something all singers innately understand — is that it’s not just fun, it’s incredibly good for us. There’s a growing (and credible) body of evidence about the physical and psychological benefits derived from singing; stress relief, better sleep, improved heart and lung capacity, possibly even longer life. Apparently, like eating a bar of chocolate, singing releases those much vaunted feel good endorphins, so beloved of exercise fiends … but without the calories! Singing in a group is thought to be particularly beneficial because of the increased sense of community, belonging and shared endeavour it brings. That’s certainly true for me. Singing is also considered to increase mental awareness, concentration and memory.

While it’s early days for this sort of research, it not difficult to believe. Experts in early human history believe that people sang out their feelings long before they were able to speak their thoughts. This was not singing in the sense that we know it. The fist human utterances were limited to mimicry of the sounds people heard in nature — birdsong, the roaring of animals and the crooning of babies. This early ‘singing’ would have been an individual thing with the individual having no thought of communicating ideas and feelings to anyone else. It’s not known when the singing of meaningful, communicative sounds began, but it was likely a key step in the evolution of language.

Even after the development of language, song retained a central place in building and strengthening communities and societies — I don’t believe there is any race or culture on earth, even the most remote or cut off, that doesn’t sing. Singing is ancient and universal. It’s a means of invoking the gods with prayers and incantations, celebrating rites of passage with chants and songs, and recounting history and heroic feats. Some cultures even have creation myths where they were sung into existence. To this day, song has much more importance in our lives than simply for entertainment. We still lullaby our babies to sleep, hum under our breaths when walking in scary places in the dark, get together and lift up our voices in praise of whatever we feel is worthy of praise, create anthems to imbue national pride and support our sports teams, schools and other social groupings.

As I said at the start, I love to sing. I couldn’t agree more with Marty Rubin’s sentiment, “walking alone I sing to myself and am content.” I love it even more now that science is confirming its connection to my on-going health and wellbeing. Or, as Kathleen Long put it in Chasing Rainbows, “In your life, you either chose to sing a rainbow, or you don’t — keep singing.” That’s what I intend to do and I hope anyone who’s reading this will too. If so, to borrow from the Vulcan, we should all sing long and prosper.

Post Script

Where have you gone Mrs Doasyouwouldbedoneby?

Sifting through GoodReads the other day, I came across a section of reviews about a book I loved as a child — Charles Kingsley’s fantasy story The Water-Babies (1863). About half of the reviewers were people like me who remembered this book fondly from childhood. The rest were new to the story. From the comments, it’s clearly very dated and the reviews were mixed to say the least. It was good to see that the magic had remained for quite a few of the second timers and somewhat surprisingly caught the heartstrings of some of the newbies. “A load of smug, moralistic old twaddle,” would be a synthesis of the remainder.

Water-Babies is one of those gloriously stentorian and self-righteous Victorian tales known as a didactic moral fable. It is full of the era’s upper class, Anglican prejudices against just about anyone who did not qualify as “one of us”; Catholics, Irish, Jews, the poor, blacks … even Americans. Because of its now very non-PC attitudes, the book has largely fallen out of favour[1], but it was a mainstay of British children’s literature for decades after its publication. It was one of my childhood favourites and my sister and I listened wide-eyed as our mother read it to us and breathed magic into this story of aquatic adventure full of fantastical creatures.

Semi-satirical in form, the over-arching theme is one of Christian redemption. Kingsley, an Anglican minister, used pertinent character names like Mrs Doasyouwouldbedoneby to put his points across. Her antithesis was Mrs Bedonebyasyoudid who demonstrated in very tangible ways the consequences of doing bad stuff.  All very hellfire and brimstone! Sitting under this primary theme were several others: the wrongness of child labour, the atrocious treatment in England of the urban poor and also the narrow-minded thinking of many of the scientists of the day. Kingsley was a contemporary of Darwin whose Origin of the Species he somewhat surprisingly (being God-squad) strongly supported.

The plot focuses on a young chimney sweep Tom, who meets upper class girl, Ellie whilst sweeping the chimneys in her house, is chased away for his presumption in talking to her, falls in a river and seemingly drowns. He is then changed into a Water-Baby and begins a journey which serves as a moral education. Ellie becomes a Water-Baby shortly after Tom and joins him on this journey which concludes as he helps his cruel former master Mr Grimes (who is being punished for his mid-deeds, including beating Tom) achieve redemption.  By showing willingness to do ‘right things’ he doesn’t like or want to, Tom earns himself a return ticket to life and human form. Back in the ‘real’ world he becomes a great man of science. He and Ellie (similarly redeemed) are re-united although the book states they never marry. So, the upshot is that they lived sort of happily ever after. Disney would have hated it — no love’s true kiss[2] for this pair!

However, I didn’t start writing with the intention of producing a synopsis or critique of Water-Babies. While the story of the book has faded into little other than fondness in my mind, Mrs Doasyouwouldbedoneby, left a lasting imprint, and has been something of a guiding light in my life since. The concept of doing as I would be done by has always seemed a very simple aspiration. The question, ‘would I like it if someone did this to me?’ is a sure-fired way of identifying whether an action I’m thinking about is supportable or not. A sort of moral litmus test. I’ve lived my life in the general belief that it doesn’t much matter what you do as long as you don’t hurt others, or yourself, along the way. Having said that, I’m not a saint by any means. I’ve lived a full and varied life. But I do care how my actions affect the people around me and I do my best not to create collateral damage as I skip my merry way through life.

Seriously, it’s been a no-brainer. When I follow the do as you would be done by principle, I feel good. When I don’t, it disturbs me and I feel bad, sometimes even sick. Let me quickly add that you don’t have to be a doormat to do as you would be done by; there are always options and choices which allow us to achieve our own objectives without trashing other people along the way. Of course, doing as you would be done by doesn’t in any way guarantee that other people will do the same.

It often feels that common decency and respect for others have become ‘old hat’. Yet they are the ingredients that make societies civilized. Courtesy and manners are about acknowledging the kindnesses, cleverness and care of the people around us. But they’re also about restraint. About not just saying the first thing that comes to mind. Not responding in kind to other people’s rudeness or anger. Respect allows us freedom of expression without fear, providing there is understanding that rights also come with responsibilities. Respect for the law allows us to live in peace and safety instead of anarchy. Respect for ourselves is a vital part of leading happy fulfilling lives. Respect for others and for our environment also allows families, social groupings, organisations, countries and our much vaunted ‘international community’ to flourish. This respect includes having at least a nodding acquaintance with the concept of a common good instead of the cult of me that has become the bedrock of modern life.

Clearly, respect has to be earned. but if we lose respect for the people and things around us, we cease to care about our world and become uncivilized. Disrespect in the conventional sense is everywhere; noisy neighbours whose booming stereos spoil our weekends, boy racers grinding their gears and revving the hell out of their cars at 2am, people walking five-abreast along a pavement who force you into the gutter … and those are just the tip of the iceberg.

Coming back to Water-Babies, the reviews I read didn’t inspire me to re-read it. I was tempted, but decided to keep my memories as they are. However, I do think it’s a pity that we can’t ignore the bigotry of the time such books were written in and take the eternal currency of their messages on board. The world would be a better place if more people embraced the do as you would be done by creed so individuals start being nicer and less self-obsessed people who understand that working towards the greater good is, in fact, good.

Footnotes:

[1] Despite several recent attempts to find redemption for the book itself — a 2013 update for BBC 4 brought the tale to a newer age with Tom having been trafficked from Nigeria as a child labourer — it’s attitudes don’t resonate with the sensitivities of contemporary audiences (well at least some of them … step away from the ‘Trump bashing moment’).

[2] As a totally useless piece of trivia, Kingsley is credited with inventing the word ‘cuddles’ which first appeared in Water-Babies.

The malice of a good thing is the barb that makes it stick!

Don’t you just love Alec Baldwin’s oh-so-close to the knuckle portrayal of Donald Trump in Saturday Night Live? Last week’s show offered up a short-term (no-one mention multi-term) future in 2018 with the US facing an alien invasion force from the planet Zorblatt 9. The ‘skit’ featured Baldwin/Trump visiting a military base with the irrepressible ‘POTUS’ trumpeting (sorry couldn’t resist it) inspiration to the troops via a classic piece of tawdry trumpery (aka a speech). If that weren’t enough to keep us rolling in the aisles, guest host Scarlett Johanssen did a total number on ‘First Daughter’ Ivanka Trump in a spoof commercial promoting a new perfume, Complicit. Genius!

I read a report a while ago that laughing at other people is very good for us. Not WITH you understand, AT. Who knew? To be honest, I think we all did, but there’s nothing like a report to add legitimacy to what the world, his wife and dog already know! Anyway, turns out there is a fair body of scientific (and not-so-scientific) evidence that advocates the healing power of laughter. In fact, help is even available through the counseling services of ‘laughologists’ and ‘laugh therapists’ … yes really … try Googling them! That laughter is good for us is hard to argue with as a premise. Seems more like a statement of the bleeding obvious as it is, after all, “such fun” (thank you Miranda).

In terms of laughing at, rather than with, I’m thinking all those TV shows where people submit their home video ‘funnies’ in order to win what seems like a small amount of dollars in relation to the humiliation quotient involved. Then there are the formulaic Wipeouts and Fear Factors where we can voyeuristically enjoy other people making complete prats of themselves. And talking of prats, we do love our ‘prat falls’ don’t we? If you think you’re made of better stuff, cast your mind back to any episode of the above mentioned Miranda and consider whether you were able to keep a straight face as she literally went arse over tit in front of Gary, the man she so desperately wanted to impress.

Prat falls are a reminder that random shit happens, and to anyone. A queen can just as easily slide on a banana skin as a commoner, or a president trip on an uneven path and do a spectacular head plant in front of the world’s media. And the more celebrated the faller, the funnier it actually is. The Germans call it schadenfreude or pleasure derived from the misfortunes of others.

But there’s a darker truth running through all this mirth. Since ancient times, writers have understood the potential for laughter to undermine authority and fuel regime change. The use of humour, irony, exaggeration, or send up to expose and criticize people’s stupidity or vices —the medium known as satire — has long been used to shape opinion. At its best, it is extremely witty and often very funny, although the subject matter can be deadly serious. While making its point by entertaining, it holds human, societal or individual vices up to censure through ridicule. To succeed, its subject must be widely known.

For more than a decade between 1984 and 1996 Spitting Image, the hugely successful television programme starring latex puppets of celebrities and politicians, wowed people with the accuracy and malevolence of its send ups. No cow was sacred. Targets included the British Royal Family and Ronald and Nancy Reagan who starred in a spoof drama, The President’s Brain is Missing. Then there was Margaret Thatcher and her Cabinet of Vegetables. Besotted, with Reagan she (the puppet) became progressively more demented as the series went on. Underlying the humour were hard-hitting social and political commentaries about what opponents saw as the harsh realities of Thatcherism. This portrayal may even have contributed to ‘The Iron Lady’s’ ultimate fall. Go Baldwin, McKinnon and the other Saturday Night Livers — on this basis, if you keep up the good work, you might achieve the same result with Trump!

Satire played an important role in the fight for the basic rights and freedoms that the Western world now takes for granted. But its golden age was the period from the end of the seventeenth century to the mid-nineteenth, a time of enormous social change in Europe as industrialisation transformed how people lived and worked and how societies were organised. From the pens of the great novelists of the era came biting attacks on social wrongs, corruption and moral lassitude; Charles Dickens took on the atrocious conditions suffered by the growing urban working class; Jane Austen shone a spotlight on the plight of women; Jonathan Swift savaged the corruptness of the political establishment and William Thackeray and Anthony Trollope skewered the double whammies of class and privilege. Other leading satirists from this period include Moliere, Ben Johnson, John Dryden, Alexander Pope and George Meredith.

The title of this blog post is taken from the play School for Scandal by Richard Brinsley Sheridan (1751 – 1816), the archetypal ‘comedy of manners’.  First staged in 1777 in London, School for Scandal is a social satire that portrays English high society as being mired in gossip, calumny and sexual intrigue. The intention of the piece was to highlight the lack of honor, lax morality, and superficiality of the idle rich, whose primary pastime is jockeying for advancement by destroying the reputations of their peers. Sheridan used exaggeration, clever language, rapier-smart dialogue and telling character names (Ladies Sneerwell and Candour for example) to send up their frailty and folly de grandeur.

During this golden period, cartoon and caricature also came into their own as compelling additions to the satirical toolbox. In eighteenth century England, the etchings of William Hogarth such as Gin Lane, showing the horrific effects of gin abuse by the urban poor, were a powerful protest against prevailing social conditions. In France in the following century, Honoré Daumier created some of the finest political caricatures for the magazine La Charivari during the 1830s. Henri Toulouse Lautrec, at the end of the nineteenth century and into the twentieth, continued this graphic tradition of social satire in his depictions of Parisian society.

While Daumier was creating for La Charivari until censorship drew its sting, in England Henry Mayhew established Punch Magazine in 1841. It began as a democratic weekly, regularly featuring harsh depictions of Queen Victoria and her family, particularly the foreign Prince Albert who was deeply unpopular with the British public. It later became an upper class weekly whose readers enjoyed seeing their own foibles, and those of their servants, tradesmen and recognizable types like social climbers, being exposed. Vanity Fair was launched in competition in 1868. Both publications aimed at a public “in the know”, people who enjoyed the send-up of famous figures and types in every strata of life. Publications of this sort sprang up throughout Western Europe and were forceful channels for molding public opinion. The editorial cartoons in all our current newspapers continue this tradition.

To achieve their goals, satirists often knowingly risk reprisals. The genius of good satire has always been in the cleverness of the disguise. In masking the individuals or issues in question and avoiding libel whilst still ensuring the audience is in no doubt who or what the subject is. Roman poets Horace (65 – 8 BC) and Juvenal (active in late 1st and ealy 2nd centuries AD) went to extreme lengths to stay on the right side of their political masters in their work. In Medieval times jesters or fools provided a mechanism to filter unpalatable issues and opinions to the monarch through the parody of court politics and personalities. They trod a very fine line between mockery and treason. Getting this balance wrong could result in a short, and very unfunny, step to the gallows. Voltaire, one of the greatest of the Enlightenment’s writers and philosophers, famous for his wit and advocacy of civil liberties including freedom of religion, freedom of expression, free trade and the separation of church and state, was an outspoken supporter of social reform. His work and ideas influenced the key movers behind both the American and French Revolutions. In an era of harsh penalties for the breaking of censorship laws, Voltaire was an occasional visitor to the Bastille prison in Paris, as was his compatriot Daumier.

That was an age when the entire fabric of society underwent the seismic shift from a predominantly rural agrarian economy to an urban, manufacturing one. The Industrial Revolution saw huge numbers migrating to cities where they — particularly women and children — lived and worked in shocking conditions. Without any effective legislation, abuses by employers went largely unchecked. Archaic laws, perpetuated by absolutist monarchies and aristocratic and ecclesiastic dominated governments, protected the interests of the old order and put a premium on property in preference to people. Growing disenchantment saw electoral reform become a burning issue at a time when the right to vote was extremely limited and based entirely on property ownership. War between the old elite and a rising new liberal order was inevitable. The bloody French Revolution that erupted in 1789 attempted to create a lasting republic based on the principles of liberty, equality and fraternity was the most extreme example of the winds of change moving throughout Europe at the time. Satire was a brutal weapon used by both sides in this struggle.

Our current Technological Revolution has opened up a new set of social challenges not least being the replacement of growing numbers of jobs with automation, particularly in the manufacturing sector. Many people feel disenfranchised and bewildered by the scale, scope and rapidity of change and how they can assimilate into this brave new world. The rich seemingly get richer while the poor get poorer. We liberals have been well intentioned in our struggle for gender and social equity. But the road to Hell is, of course, paved with good intentions. Our intellectual elitist approach to addressing social issues is at odds with the feelings of the people everywhere that Hilary Clinton disastrously dubbed ‘deplorables’ in the US, who feel patronised and misunderstood. All of this laid the foundations for the all the unthinkable ‘events’  last year — Brexit, Trump, the rise and rise of the ‘alt-right’, the future of European liberal democracy, Putin and his monumental megalomania. It feels as if political insanity is the new black, with Trump in the vanguard, seemingly intent on reversing all the incredible advances in global stability and basic human rights. That is not to say that that things don’t need to change. They do;  conventional thinking and mores are failing us. We need new social models and better ways to prepare our children to live happy, successful lives in a very different future to the one we (Boomers) inherited.

BUT, we can change without losing our humanity. Without trashing the aspirations enshrined in the United Nation’s Universal Declaration of Human Rights which committed all member states to “promote universal respect for and observance of human rights and fundamental freedoms for all without distinction as to race, sex, language, or religion”. While this declaration is just that — aspirational — it’s language remains potent and it’s incredible that these aspirations have so suddenly come under fire. But every cloud has a silver lining. Maybe the current silver lining takes the form of a wake up call to identify and defend what we believe in. If that hasn’t yet extended to manning the barricades, people in droves have been grabbing the placards and marching to protest their indignation at the assault on these values and the lack of concern for our world and ALL its people.

Censorship of the press has been an all-too-frequent counter measure by which the establishment or ruling classes have historically gagged reformers and enforced control when pressure-valves looked like blowing. A disturbing parallel between Trump and his ‘fake news is the enemy of the people’ mantra wouldn’t you say? Satire is a powerful weapon that the liberal media is already using to great effect. In this strangest of strange times it is likely to again play a central role in keeping the metaphorical vandals from our gates. I count myself lucky to have lived in a time and place where I’ve been able to enjoy freedom of speech and expression. I’m unlikely to face any sanctions for writing this opinion piece. But it scares me to see the media, whose role is to serve up truth no matter how unpalatable, being vilified — it’s a slippery slope from this to censorship and repression. In the ‘post truth’ world of ‘alternative facts’ and outright lying, we risk that there won’t be actually any need for formal gagging orders and persecution that past writers face. We may simply lose the ability to tell the difference between what’s real and what’s not and whoever shouts loudest will carry the day.

According to an article in NY Times this week, “traditional television, a medium considered so last century, has seen audiences drift away for the better part of a decade. Now, rattled liberals are surging back, seeking catharsis, solidarity and relief. The old analog favorites are in, with comfort-food franchises like “ Saturday Night Live” drawing its highest Nielsen numbers in 24 years. Despite a dizzying array of new media choices, viewers are opting for television’s mass gathering spots, seeking the kind of shared experience that can validate and reassure.”

The article argues that television offers people a sense that “we’re in this together” and that others are “equally outraged”. This bonding is not limited to the US. If the world is truly a global village, then we all bleed when the leader of  the Western alliance vents his spleen on Twitter and appears to believe, like Hitler, that if you tell a big enough lie and tell it frequently enough, it will be believed. So I say to Baldwin, McKinnon, Johanssen and your ilk; I salute your activism. Keep it coming. Send up the sexism and stentorian stupidities. Ridicule the ridiculous. Make mockery of the monstrous. Lampoon the liars. Use your wit and your waggishness to protect us from the posturing, puffery and purile prattling. As Leonard Cohen so famously said, “there is a crack in everything, that’s how the light gets in.” Find the crack. Let the light in. Keep us honest, free, truthful and on the side of the angels.