Can you step into the same river twice?

I’ve been feeling a little homesick recently. Not terminally so. Not in any way that incapacitates me. I don’t languish all day every day, overcome with longing to be back in Blighty. But I’m at a life stage where I’m trying to figure out where I want to spend what’s left of it. The prospect of going home has flicked into my mind more than once.

I ask myself, “Could I go back?” “Should I go back?” I didn’t leave the UK until my mid-thirties, so I still have deep-rooted friendships around the place. On that basis, I probably could make a fist of going home. The more interesting question is the one with “should I?” in it. 

The ancient Greek philosopher Heraclitus said, “You can’t step into the same river twice.” In saying this, he acknowledged that impermanence is our reality—everything is in flux. Heraclitus’s point was that if you return to something, even if the parameters are essentially the same, you’re not the same person you were. The river or thing you’ve returned to has continued to flow and subtly alter, so it’s a different experience. Profound or what? But that’s the thing with philosophers. They tend to be on the smart-ass end of the insight spectrum—even long-dead ones.

I’m a voluntary expat and accept the odd bout of homesickness as part of the deal. It’s not as if I was fleeing a tyrannical regime or anything like that. My ‘suffering’ is generally rare and fleeting. Also, I can actually go home whenever I like, limited only by first-world issues like the ability to pay, and finding the time. But the call of ‘home’ is persistent. It is as if a fragment of an umbilical cord connects me to my land no matter how much water, or ocean to be more precise, separates us or flows under the proverbial bridge.

OK, it would have to be an implausibly long bridge to span the vast tracts of land and sea between Scotland and New Zealand. It’s about 18,000kms from my Wellington home to mist covered mountains of home. But this is a story, not an article for an engineering journal, so who cares. In any case, that persistent little strand of umbilical cord refuses to be severed. And this refusal to be severed leaves a tiny door to the past very slightly ajar.

My current nostalgia has two drivers. First, I’m writing a new book. It’s partially a memoir, and the action starts when my family returns to the Highlands on a bleak November day in 1962 after a year of California Dreamin’ in Los Angeles. I was three and a bit, and arriving at our new place was my first genuine memory, unprompted by anecdotes, photos, or home movies.

It was a crossroads for my family, triggered when my paternal grandfather bought a Victorian mausoleum of a hotel in a place called Kingussie. Having done that, he decided he couldn’t cope and sent out a three-line whip to bring Dad (and us) back and help him cope with his folie de grandeur. I’ve been exploring the fallout from this re-entry and what it meant for our lives.

The second is that I’m planning a trip back in May after an unusually long gap of six years. I’m beyond excited to see my family and friends. The old Doris Day song, A Sentimental Journey keeps popping into my head. Unlike the singer, I haven’t yet packed my bags, but I have my reservation. I’m travelling by air, not rail, and the destination is very different. But I’m on board (as it were) with the “never thought my heart could be so yearney” vibe of the song. I can’t wait to be home again, even briefly.

There is currently much (sometimes heated) discussion about the divide between globalists and localists. Globalists love the cross-pollination of ideas and advances when people are readily mobile. They’re the ones who would move anywhere for the right job, relationship, or lifestyle. They embrace the challenges and perceived growth of living in different places and rubbing shoulders with other cultures.

Localists, on the other hand, want to stay connected with their roots. They are deeply attached to their place and the friends and family they grew up with. They remain local and retain their communities and the comfort of old customs and lore. They’re close to their history and heritage in a way that the globalist can’t be; however, much like me, they still identify as part of their national diaspora.

The underlying tension is whether the global village concept has destroyed more than it has achieved. Has it paved the way to loneliness, isolation, and fractured national cultures? Or has it stimulated the old concept of entente cordiale between nations. Has it giving us peace and security, keeping the majority of the world’s citizens playing nice with each other? I’d say it’s a fair bit of both, although in the current climate, there isn’t much entente cordiale going around. Local isn’t necessarily less. Global isn’t always great. But we’re lucky to be able to choose and going home is one choice.

Of course, there have always been global nomads. Through the epochs, people have burned to push boundaries. Find and tame wildernesses, discover, explore and generally find answers to the unknown. To boldly go where no one has gone before—into huge empty tracts on maps marked Terra Incognita—“here be dragons”—for example. Humans have always been hungry for new ideas, culture, and scientific knowledge to improve and extend our lives. Globalisation has allowed many to leave poverty or violence and find a better life. It has also brought turmoil to places through war and a perceived loss of culture and national identity.

I’ve lived in several countries. These stints have ranged from a few months to many years. I guess that makes me a globalist. I’m not sure whether this is by chance or choice. Can you be an accidental globalist? Most of us who move away seek opportunity—the perception of more, bigger, broader, deeper lives to be had out there. That was certainly the case for me. It’s not that I didn’t love growing up in the Scottish Highlands. I did. I had a fantastic ‘free range’ childhood in the security of a close-knit community. But, the person I am would always leave at the first opportunity.

I was desperate for the adventures and sophisticated life I believed were passing us by in our little backwater. Like Dorothy in The Wizard of Oz, I couldn’t wait to find the yellow brick road to the Emerald City—in my case, London. Unlike Dorothy, I didn’t need a cyclone to sweep me away—I was more than ready and willing…and the trains were quite good in those days. Equally, having left, no Wicked Witch of the West was stopping me from returning. I didn’t need to click the heels of my magic red shoes. Just buy a ticket.

I certainly wasn’t pursuing some meticulous ground plan of continuous improvement by relocation, although I’m sure people do. It was more of following the bread crumbs scattered before me to see where they would lead. Unlike Hansel and Gretel, I didn’t find the Gingerbread House, or meet the witch, but it’s been a fascinating meander nonetheless.

Tech takes a lot of the sting out of being a global nomad in the information age. Unlike our predecessors, who had to survive unendurably tedious or outright dangerous journeys in pursuit of better, we can now board a flight and, like magic, be spat out in our new place a couple of days later, equipped with the tech comms to stay in touch and suffering little worse than a bout of jet lag. Better or not, it’s certainly a piece of cake in comparison. But a Zoom call doesn’t cut it when you think about a long lunch swapping confidences with old friends.

By Alexander Zick - Märchen, Grot'scher Verlag, Berlin 1975, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6330122

We can, of course, step into the same river as often as we like, should we choose. When I think about my homeland, it sings to me, and the song gets louder with the passing years. I don’t think that’s unusual. Nostalgia and sentiment walk more closely alongside us as we age and try to make sense of the paths we’ve taken in our lives. And these guys don’t play fair. They entice us to look back with a rose-tinted patina colouring what we see in the rearview mirror.

But I think Heraclitus had the right of it—you can’t step back into what was. If I chose to go back, I wouldn’t return to the same place. While it’s superficially the same, the world has moved on, and Highland villages have moved with it. More importantly, I’m not the same person. While the adult I am has deep undercurrents of the youth I was, my experiences and expectations have changed, and I know deep down that what calls to me is the past I inhabited and (mostly) loved, not the present in its globally enhanced form.

Maybe I’m just getting older and it’s natural to look back with fondness for the simpler times of my youth. The prospect of going back underlines the preciousness of community and how much we could do with more of it now.. But I’m also a globetrotter who carries the imprint of the other places I’ve lived. I may not be attempting to step into the same river twice when I travel in May—I don’t really think going home for good is an option—but I trully cannot wait to set out on my Sentimental Journey Home.

The love times they are a changin’ — fancy a polycule anyone?

It seems that relationships are getting more complicated by the minute. Or maybe we’re just in an age of micro-definitions. Take the polycule. A concept I was happily unfamiliar with until I read about it last weekend. In case, like me, you didn’t know, polycules are a version of polyamory. Polyamory being of course, the juggling act of engaging in multiple romantic, typically sexual, relationships, with the consent of all the people involved.

New names, old behaviours

I’m pretty sure that the only thing that’s changed is that we’ve now got names for stuff that people have been at since Adam and Eve got chucked out of Eden. People experiment with all sorts of sexual combos. They always have. You only have to think ‘Mormon’ and ‘sister wives’. The practice of taking multiple wives or lovers goes back to the earliest of times—some anthropologists believe that up to 80 percent of early humans were polygamous. But it seems to be a thing now in a way it hasn’t been before, perhaps because of the predominance of social media in shaping or naming trends. As a consequence, there’s an emerging sexual zeitgeist with a growing vocabulary to define an increasing number of relationship variants meaning we can now choose our “lovestyle”, not just our lifestyle.

So we all know about throuples right? Three-way relationships where all three participate. Throuples—also known as triads—have been in vogue for some time as celebs open up about their non-conventional preferences. For example, in 2011, Charlie Sheen openly talked about living with two 24-year-old girlfriends, he called his “goddesses”. Throuples don’t necessarily live together, but they are in an acknowledged and sexual relationship. Imagine if Menelaus, Helen and Paris had the open-mindedness to form a throuple, instead of Paris stealing Helen away from Menelaus and the ten years of mayhem and destruction that followed. Troy might still be standing, as I’ve said before.

So, what is a polycule?

What is a polycule?
https://www.allure.com/story/what-is-a-polycule

In a polycule, three or more people might be involved but don’t all necessarily have sex. Let’s put that in context. Priam is in a sexual relationship with Hecuba and Athena. Hecuba and Athena don’t shag each other. So this group is not a throuple. But they are a polecule because, like the atoms in a molecule, they are connected to each other through Priam, who functions as a “hinge”. The person in the middle. Hecuba and Athena are “metamours”. People whose lover has another lover but with whom they have no romantic relationship. .e., the partner’s other girlfriend or boyfriend or their lover’s spouse. So if you’re partner has another lover, they are your metamour, and you are theirs.

With me so far? I repeat, it’s complicated. The word polycule itself is a construct combining polyamorous and molecule. I’m sure all you chemistry lovers are familiar with the concept of molecules as groups of atoms that are bonded together. In polycules, it’s groups of people that get bonded.

But wait, there’s more…a one-sized polycule doesn’t fit all

Polecules vary in size and shape— some can be extensive. There’s the parallel poly when members of the group know their lover has another lover but don’t form any relationship with them. There’s also garden table poly, which means the various partners all socialise convivially together. The difference between your bog standard polyamory, as far as I can make out, is that polycules are largely a constellation of intimate connections that are not all about sex.  

So if I were in a polycule (I’m not BTW), it could go something like this. I’m dating Hector and Paris. Paris also dates Helen and Cassandra. Hector dates Andromache and Hecuba. I’m not necessarily dating Helen, Cassandra, Andromache or Hecuba. Let’s face it: what woman wouldn’t feel her cup runneth over if it contained only Hector and Paris? But the others are nonetheless integral parts of my polycule, being my lover’s lovers and all. We’re all intimately connected. In the garden poly variety, we’d likely all pitch up at Trojan royal family feasts to listen to Cassandra’s latest doom-scrolling prophesies.

There are many more varieties—thanks to Cosmopolitan for this further insight. There’s V Polyamory (one person dating two who aren’t involved with each other), Quads, Comet Partners, and Platonic Polycules, as well as the different integration levels of metamours. Polycules can be open or closed (i.e. exclusive or permissive) and may be hierarchical with one person as the primary link between the others or ones where everyone is on equal footing. There’s also Parallel Polyamory—polycule members have other partners, but they don’t interact or have contact. It’s a parallel structure. This spawns teleamours— our partners’ partners’ partners. There are no rules as long as everyone’s consenting.  Some polyculers go all in and share houses and bank accounts.

Is the secret to the polycule “authentic love”?

Feminist writer Simone de Beauvoir (1908-1985), most known for her feminist novel, The Second Sex, was famously married to the even more famous Jean-Paul Sartre (1905-1980). The couple never married, but their lifelong open relationship, which saw each of them pursuing other sexual and romantic partners, lasted more than 50 years. They talked about their approach as “Authentic Love”. Originally Sartre’s idea, de Beauvoir was apparently game to “embrace all experience.” They claimed this approach succeeded because the sole condition was total transparency. Despite the relationship’s longevity, peers questioned how happy they were. It seemed to suit Sartre better as de Beauvoir was reputedly prone to jealousy and had far fewer affairs.

Jean Paul Sartre and Simone de Beauvoir 1954
Jean Paul Sartre and Simone de Beauvoir 1954

Which brings up a good point. How do you navigate any polycule variant without someone getting their nose (or other anatomical item) out of joint? Is everyone involved so secure that they don’t doubt their centricity to the melange? It feels as if the starting point is deciding what you want from any relationship. It must be just as crucial that three (or more) people have convergent expectations as two. And what happens if two of a triad are more into each other and even marginally neglect the third? Is there ever the possibility of love equity, or even such a thing?

It’s not all a bed of authentically scented polyamorous roses

Polyamory isn’t legally recognised in Britain or America, so you don’t get the sort of benefits monogamy brings, such as tax breaks, pension plans, sharing mortgages, child custody, and a clear inheritance plan. Come to think about it, we singletons don’t benefit from those either, but it’s not yet illegal to be single or childless (or a single, childless cat lover).

Polyamorous relationships seem to me to come with as many, if not more, hooks than monogamous ones. There are so many decisions to make, not least how you schedule your playtime. Equally, do you meet your partner’s other ‘squeezes’ or leave well alone? Does it help or start to erode the foundations of your relationship with them?

On the other hand, polycules could be the perfect antidote to giving too much or falling too deeply for one person and the anguish that can follow if it goes wrong. Perhaps sharing the love means fewer eggshells to walk on. If one person in the polycule doesn’t feel like it tonight, there’s a fighting chance someone else will, so could it be the answer to duty sex? In this world, Paris wants to watch the footie. Menelaus wants to watch the chariot races on the beach. Helen wants to bring back a bit of that loving feeling. Paris is happy to oblige. Menelaus is happy they’re both happy, and he gets to do what he wants.  Perhaps it’s easier with your polycule posse taking up the slack when you’re not in the mood, or can’t be fagged to go out to see a play, have another baby … whatever.

The lovestyle choice for a growing number

I’ve always believed that pretty much anything goes between consenting adults. So, if a polycule or any variation on the them is what does it for you and your polyamours, good for you. In any case, you’re not alone.  Polycules are growing in popularity. A recent YouGov poll found that about two per cent of adult Brits are in polyamorous relationships, and seven per cent say they would be open to it. Those numbers aren’t going to turn society on its head. However, it does mean that an increasing number of people are asking the questions differently and challenging norms that no longer work for them. 

If you’re into a whole lotta love and not finding conventional couplings are doing it for you, perhaps a polycule might yield better returns for your labours of love. Less chance of love’s labours lost? As for me. Well, I’m too lazy. Or too old. Or both. If sticking with one person for the long haul has proven challenging, how on earth would I wrangle several? Eek. In any case, call me old-fashioned, but for me, “Be my teleamour” doesn’t cut it like “Be my Valentine.”

PS Despite the title, I’m not really asking if anyone’s up for a polycule…in case you wondered.

You’re a brand, like it or not, make it count!

We hear a lot about online influencers and personal brands these days. As a brand thinker, I’m a little sceptical about whether these personal brands are good. Unless you’re scrupulously honest, the brand, oops, of course, I mean person, simply becomes a construct. A facsimile of someone designed to highlight the heroic and park the problematic. It offers a polished facade with no apparent flaws. A title with no story. A standard of perfection that the rest of us can aspire to but never reach.

I want what she’s got!

Influencer brands are carefully curated to make us want stuff. By the way, anyone else noticed that we no longer just design or make things; curating them implies much more finesse and we live in a time when more is … er … more, so curating it is. Anyway, influencers seemingly live the dream—they inhabit perfect lifestyles, surrounded by perfect people, played out in a series of perfect locations. Sounds a bit like Barbie’s world and its inhabitants in the recent movie, come to think of it.

If the influencer is flawless, the implication is that by walking a mile in their shoes, you can be just like them. By following their wellness regime, you too will be rampagingly healthy and desirable. Going to the places they go or at least recommend, you’ll be too cool for school … like them. Forking out on all the stuff they’re peddling on behalf of consumer brands who milk FOMO for all it’s worth, you’ll be the envy of everyone in your orbit.

Absent better options, we find our heroes wherever and however we can. Where’s the harm?

But who am I to judge? It were ever thus. Absent a better option, why shouldn’t my new deity be an online influencer flogging over-priced skincare or exotic travel? Spirituality even. What’s the big difference between that and a medieval priest peddling indulgences? In any case, being a follower makes me feel like I am part of something bigger and that I matter. A like on my post worshipping at the (TikTok or Insta) shrine of the demi-goddess I’m following puts me on top of the moon. Who am I hurting?

But, going for perpetual perfection is paralysingly pointless. We all know that no one is. Even Barbie figured that out in the movie. On the surface, there’s a compelling and colourful story. But when you scratch the surface, the story lacks depth and nuance. The facade cracks faster than you can say “Lululemon”. Worse, by wanting what they’ve got, you risk trashing or trivialising what you have—your precious individuality and identity.

Seeing yourself through a branding lens

I recently published a new book—Never Succumb to Beige & Other Tiips for a Colourful Life. It has attracted a lot of publicity, which is cool, not least in converting to the number of books sold. But there was another, wholly unexpected benefit. The interviewers loved the title, and the questions they asked me were playfully provocative and opened up some interesting discussions. This process made me think long and hard about what I value and believe in at this stage in my life. What genuinely matters to me and how I want to present to the world.

A recurring theme from the interviews was how one does it. Stay visible, that is. After much navel-gazing, I figured I could best answer that question by swopping my ostrich feathered, bling-encrusted personal hat of many colours for my slightly less ostentatious professional hat as a brand development specialist. Think about the questions in terms of my brand.

Personal brands are not just something for the young and trendy

The most successful brands know what they’re about and who they’re for. However flippant my opening paragraphs, I like the idea of thinking about who we are through a brand lens. It’s a helpful framework to define and review our evolving selves, particularly as we age. People are as multi-faceted as the eyes of a dragonfly and just as complicated, so we need to tap into deep self-awareness to see through to our essence.

I always thought the complications would diminish with age. Instead, they seem to multiply by the day, perhaps due to experience hammering home the fact that instead of the arrogant assumption that we know what we don’t know, we finally get that we don’t know what we don’t know. There’s a gap the breadth of the Milky Way between those two sets of understanding.

Writing your story and controlling the narrative

All good brands have defining stories. These change and evolve as the brand matures and their operating environment changes. Quite by accident, I came across a great way to define my story. The concept of Never Succumb to Beige started as a challenge about what I would call my autobiography at a dinner party one night. It was a fun evening. At the time, I think I went for something a bit lame like Frankie’s Follies (my friends at that time all knew me as Frankie and seemed to see me as a cross between Virginia Woolf and Barbarella so this was really pandering to their perceptions rather than mine).

Over the years, I’ve come up with a range of options, at least one of which will feature as a chapter title in my next book, so I won’t do a spoiler alert here. But I stuck with Never Succumb to Beige, which I used as the title of my blog and now the book, because it captures my philosophy of being true to yourself and who you are. This philosophy hasn’t fundamentally changed since. Never succumbing to beige has become the central theme of my brand. It’s my pole star that helps me safely navigate life’s jagged reefs. My guiding light that shines a light on the path I should follow.

It’s not a pose. I love living in a rainbow of glorious and colourful attitude that allow me be seen and counted. It’s important to me to stand and deliver in how I present, what I say and write, how I am with others, and what I bring to the world. I’d like to matter … in a good way. That doesn’t mean I aspire to perfection. Far from it, but I do aspire to perfect the qualities that make me unique and set me apart from everyone else. After all, if I don’t control the narrative and tell my story my way, in this online era, Google and the other apps will do it for me. Who wants that? It’s also a vision of who I can be as I get older and allows room for life-long curiosity and adventure.

Leave the cloak of invisibility on a hook by your door

I’m saddened by how many people I’ve encountered who feel invisible, marginalised or useless as they grow older. They tell me it’s inevitable—I fundamentally don’t believe that it has to be. We don’t need to allow society’s judgement to push us into the railway siding of invisibility. If we don’t give ourselves licence to stay on the main line, no one else will. 

Perhaps that’s easy for me to say. I was born with a sunny, outgoing nature and insane corkscrew hair—I’ve had a love/hate relationship with the latter throughout my life. Still, it has the merit of giving me a head start in the non-invisibility games. Likely, it also played a part in developing a deep-rooted commitment to my individuality and sense of self.

Despite this, I’ve worked hard to fight feelings of inadequacy and low self-esteem. I’ve also faced down that lurking menace known as Imposter Sydrome on more occasions than I can count. My brand, my recidivist disinclination to be anything other than wholly and colourfully myself, helps me feel the fear, do it anyway and bounce back when the going gets tough.

Strike the pose, there’s nothing to it

My last post was about being scammed — Scammed, Slammed and Hung Out to Dry — written solidarity with all the many others who’ve experienced this morally bankrupt contemporary blight. Not succumbing to beige clearly has little to do with colour and lots to do with attitude. How you deal with setbacks like this, which rock you to your core. I’ve had to dig deep to cauterise the wound it left. The scars are still vivid, but they get paler by the day and I certainly won’t get fooled again. It would be easy at such times to retreat inwards. Having a strong brand like m non-beige one, gives us the confidence, mandate even, to move forward without losing ourselves.

I’d love to inspire people heading towards their older years to believe that invisibility isn’t a given. To blaze a trail for younger women that shows ageing isn’t a long, lonely, greying road to oblivion. In modern parlance, I’d like to be an influencer. But not one that postures at caring whilst peddling endless products, destinations or wellness miracles for affiliate brands’ marketing programmes. I want to use whatever influence I can muster to find joy and commonality in our shared and, at times, very bizarre humanity. To lighten the mood and bring people together.

Successful brands are built on insight not wishful thinking

It’s said that personal branding begins the moment you discover yourself. Knowing what you’re about and who you’re for requires deep self-understanding. Defining and living by a set of firmly held values. Making a promise about what you bring to the world and sticking to that. It raises self-awareness and honesty above self-interest and greed. For your brand to succeed means being consistently you wherever you are, whoever you’re with or whatever you’re doing and holding yourself to the highest standards. Not giving yourself a pass when it’s inconvenient or difficult.

Successful brands are not flim-flam.They don’t get blown about in the wind like so much tumbleweed in a Western ghost town. At the end of the day, whatever our brand, we’re actually still people, with all the frailties and idiosyncrasies that entails. Even the best brands get it wrong sometimes, but the ones that last, don’t go down in a fiery bonfire of blamestorming and bruised egos. Their managers recognise what’s happened and find a better way. On a personal level, when we lapse or stuff up, our inner brand manager should cut us some slack and understand that there are times when we just step out of character, flare up in the moment about something stupid. Ultimately we are people not brands. Seeing ourselves through a branding lens just helps us be the best we can be.

Be yourself — everybody else is already taken

So said the peerless Oscar Wild who know a thing or two about being an influencer and icon. As American actor Graham Brown (Malcolm X, The Muppets Take Manhattan) said, “Life is about choices. Some we regret, some we’re proud of. Some will haunt us forever. The message: we are what we chose to be”. We might as well choose to be something special and gloriously original.

I don’t know about you but, given my “druthers”, I wouldn’t choose to be a Barbie Girl living in the Barbie World, however superficially enticing it appears. Life in plastic is only fantastic if you’re a doll.

Brattish or demure—which tribe do you belong to?

A couple of days ago, I read about the trending makeover of the word demure on TikTok in an article How Demure Are You?[1]. TikTok is awash with advice about how to be demure. Before you get your feminist dander up, no one is urging a dash towards traditional womanly demureness. The repurposed demure is not about being reserved, modest or shy. It’s been hijacked to serve more modern mores.

The instigator of the new demure is TikTok creator Jools Lebron, who sets standards for seminal stuff like managing makeup and moustache sweat. The concept has been seized on and spread like wildfire. Lebron uses demure semi-ironically to encompass the ideas of respect and mindfulness. Well, who can argue with that? Not me—those are two qualities I wish were in greater supply, as a matter of course. So, sitting gracefully. Demure. Showing restraint in your coffee order. Light milk, not the full version. Yup, also demure. Demure dainty spritzes of perfume instead of the usual scent surplus that challenges the olfactory senses and triggers anyone with allergies. Demur clothes to show respect to others at work. Wow, maybe all those female lawyers flashing their cleavages in fantasy TV courtroom dramas could take a leaf out of this book?

I thought the word demure had long since been tossed on the bonfire of, if not the vanities, the behaviours no one (broad generalisation) seems to care much about. Instead, it’s heading towards the stratosphere in the influencerverse. It’s hilarious when you think it’s pretty much the antithesis of the “brat” thing inspired by Charli XCX’s recent album. Like demure, which is no longer about keeping your eyes modestly lowered, a brat is no longer a brat— a petulant, badly behaved child or someone acting like one. No, the new Charli XCX brat is a different beast altogether. This brat is super cool. Petulance has transformed into the more admirable audacity of non-conformity. Bad behaviour is now spirited youthful defiance and ‘out there’ or creative self-expression.

Whatever happened to the seductiveness of slow?

OK, so you probably realise I’m not a TikTokker. Reading is my primary source of what’s hot and what’s not, with an underpinning of docutainment from the streaming services. Even though I don’t spend time on TikTok, the impact of it is everywhere. As a reader of opinion, you can’t be entirely oblivious to some of its influencers’ influences as they whoosh past. It’s fascinating. It’s like the world exists in fast-forward—words and images flash in front of our consciousnesses in perpetual motion as each new thing grabs headspace and headlines. But you’d have to say all the brouhaha is entertaining. A bit of fun in our not-so-fun times. But, like Shakespeare’s Darling Buds of May[2], TikTok’s lease has all too short a date. Summer ends, and so do TikTok trends.

I’m taking a bit of licence here by bringing in Shakespeare in the context of TikTok, but his Sonnet 18—Shall I Compare Thee To A Summer’s Day?—is one of the most enduring and loved of all poems. The language is gorgeous, but the meaning is divine (see the poem below). Shakespeare’s theme is the opposite of our fast-forward and instantly forgettable ‘content-driven’ times. It is an exquisite word picture capturing the enduring power of love and poetry to immortalise and preserve. The Sonnet so elegantly puts across the author’s belief that the essence of a person, an idea, or a love can outlast death. These can be captured in words that long outlive the writer or the subject. The wonderfully comforting thought is that as long as we can see (read) and breathe, the subject will live on with each new reading.[3].

When I was the age of the current Brat Pack, I’d have been rampaging in brattish trappings with the best of them. An invitation to be demure, even in it’s made over sense? Not so much.

The whole “Brat Summer”[4] break out fun. Ditto, the reinvention of demure. I’m not saying they don’t matter—when I was the age of the current Brat Pack, I’d have been rampaging in brattish trappings with the best of them. An invitation to be demure, even in it’s made over sense? Not so much.

Whether your tribe is brat or demure, it’s okay to flirt with a new thing. But it all seems so fleeting and ephemeral, encouraging attention spans that might struggle to compete with the average goldfish. It were ever thus when it comes to shiny new things, but the speed at which the carousel is spinning is mind-boggling—an average TikTok post lasts less time than ice cream in the sun. Or, maybe I’m just demurring the reality of digital overwhelm when I say I prefer to keep company with concepts that eternal summer cannot fade.

Sonnet 18 — William Shakespeare

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to Time thou grow’st.
    So long as men can breathe, or eyes can see,
    So long lives this, and this gives life to thee.

Charli XCX Brat

Jools Lebrun on TikTok


[1] Madison Malone Kircher, Callie Holtermann, Gina Cherelus, Melissa Guerrero and Anthony Rotunno in the New York Times. https://www.nytimes.com/2024/08/14/style/demure-tiktok-mindful-cutesy.html?searchResultPosition=1

[2] The timeless Sonnet 18 by William Shakespeare. Originally published with Shakespeare’s other sonnets in 1609.

[3] I enjoyed this commentary of the Sonnet by ThoughtCo.

[4] The other big trend du jour, inspired by Charli XCX’s recent album Brat.

Mutton dressed as lamb and other outdated taboos

I’ve always had at least one foot in the if you’ve got it, flaunt it camp. While I was flicking through the op-eds a couple of weekends ago, one of the headlines I hovered my mouse over was, Are You Ever Too Old for a Bikini?  The old mutton dressed as lamb thing in a more beguiling wrapper. In any case, that clever little clickbait title acted like catnip to … er … a cat, and I was hooked.

It turned out to be an advice column. The seeker of advice was worried about what to wear at her daughter’s beach wedding and whether a bikini would be appropriate. There would be a lot of conservative types attending and she didn’t want to be seen as a try-hard, attempting to look too young or an exhibitionist set on upstaging her daughter. While the main worry was about this specific occasion, it posed the broader question of whether there is an age beyond which one shouldn’t go all itsy bitsy teeny weeny[1] when on the beach, at the river or poolside.

My first thought was, are you fricking serious—this is something you need to ask? My second was, don’t you have anyone better to discuss this with??

I’m often surprised by the questions people send to newspaper advice columns. Perhaps, more accurately, I’m surprised by how many people lack self-confidence in the context of the question. But I’m amazed when it’s a question of what’s OK or not to wear—another headline that grabbed me a while ago was How Many Rings Are Too Many to Wear?  More disbelief on my part, I’m sorry to say.

But the people asking these questions in the public glare of a high-circulation newspaper or magazine are doing the rest of us a favour by bringing difficult topics into the open. Whether the question is to bikini up or not, or any other variant of Am I too old to wear…whatever…it is indeed a good question. It’s a question many of us ask as we stare in indecision at an item in our wardrobe while the mutton dressed as lamb monster lurks, rubbing its hands in glee, cackling at our dilemma. Gung Ho, though I am, I am certainly not immune to its judgements.

It’s all part of the invisibility trap: the pressure to act or dress your age and not break the myriad taboos laid down over generations.

So many conscious and unconscious biases are baked into our neural pathways from our earliest days about what’s acceptable in almost every facet of our lives. It’s particularly insidious when it comes to clothes. Running the gauntlet of dressing too young for our age is unthinkable. It would almost be preferable to die or become a hermit than to be considered mutton dressed as lamb. I’m shuddering as I write. But, like many buts, it’s a big one: We get so caught up in worrying about it that we don’t stop to worry about how effectively the wool (!) has been pulled over our eyes.

Although lamb and mutton can be male and female sheep, like many social mores concerning appearance and dress, this little mutton dressed as lamb canard is uniquely applied to women. But where did the lambasting expression come from? Sheep meat is defined in two ways; lamb is from animals up to twelve months old (young and tender before they’re weaned), whereas its mutton (mature and tougher) after that. The metaphor not only plays on this division in age and meat characteristics but also acknowledges the culinary procedure of ‘dressing’ something to cook, making it a conscious act. An attempt to gull others into thinking you’re younger than you are.

“Someone the other day asked the Prince of Wales at the Ancient Music whether he did not think some girl pretty. ‘Girl!’ answered he, ‘Girls are not to my taste. I don’t like lamb, but mutton dressed like lamb!’”.

Comment attributed to The Prince of Wales (later George V) by Mrs Frances Calvert, in her Social Gossip Journal compiled in 1811

The above quote is one of the first references, but there were earlier variations and other applications of the sheep (mutton/lamb) epithet, as I found in this fascinating book preface Mutton Dressed as Lamb? Fashioning Age in Georgian England by Amada Vicary. The author references period publications like the Gentleman’s Monthly Intelligencer, which noted in a 1737 article that a woman past her prime could be labelled an ‘old Ewe’. The Dictionary of the Vulgar Tongue (London, 1785) included entries ‘Laced Mutton’—slang for prostitute—and ‘Mutton Monger’—a man addicted to ‘wenching’.

According to the Fashion History Museum, until the early 19th century, there was no real distinction in how the different ages presented. “Children dressed like miniature adults, and with an average life expectancy in the 18th century of 43 years, old age was not something to worry about, but rather to hope for”. Towards the end of the Industrial Revolution in the first half of the nineteenth century, fashion designers started offering fitting (pun intended) styles for different age groups as people began to live longer through scientific and medicinal advances. Children got clothes that acknowledged their activities instead of making them so many Minie-Mes.[2] Younger women dressed in sportier and brighter-coloured costumes, while older women were trussed in subdued but highly elaborate colours and styles.

Formerly attributed to Nicolas de Largillière, Public domain, via Wikimedia Commons
Formerly attributed to Nicolas de Largillière, Public domain, via Wikimedia Commons

Soon, this separation became convention, and it wasn’t ‘done’ for younger women to dress too extravagantly or older women to dress too young. By the 1920s—the ‘flapper’ era—older women were still sporting the ‘buttoned up’ pre-war formal wear, while racy young women got adventurous. Hemlines shrank, whalebones were tossed away, and lower legs became daringly visible as they Charlestoned the nights away.

After WWII came Dior’s New Look, Courreges’ mini skirt, and many other couture innovations intended mainly for the young woman of the world.  Acknowledging the growing gulf between young and old fashion, Vogue created a column for older readers, ‘Mrs. Exeter, catering to “the woman of a certain age who chose colours to suit greying hair, and similarly suitable ‘styles’ for every social occasion — town or country.”

Then came the “youthquake” that was the Sixties, when the fashion world turned on its axis, and the generational divide became wider than ever. While some iconic designers, like Karl Lagerfeld, made clothes that “make older women feel sexy,” the new kids on the block designed for hipsters and made clothes unashamedly for teens and young adults. In this world mutton was even less welcome in lamb’s clothing than ever.

Coming back to the article. After reading it, I admired the woman for even contemplating wearing a bikini because swim or beach wear is where many lines are drawn in the sartorial sand. However well-toned and put together the age-kissed body is, displaying it in a bikini is quite brave and can be confrontational to others struggling with their self-images and fears. It’s one thing to bikini up in the seclusion of your garden or pool to catch some rays or enjoy a bit of water therapy, but should you flaunt it in public places?

My body’s not in bad shape for my age. I can’t kid myself that it’s in the same league as the movie stars of my vintage, but I’m proud of it, and I’m glad it’s all down to my efforts, not that of any cosmetic surgeon or treatment. While I recognise that my outer casing now is a well-lived life away from its younger versions, but I still have fun dressing it. Even the most phlegmatic amongst us don’t live in a vacuum where it’s possible to ignore the knowledge that youth and beauty still rule the roost (As I’ve written about in a previous post—I Feel Pretty). Or should that be pasture?

Bearing ageing arms in strapless tops is one path mature angels, like me, often fear to tread for example. But fashion has our backs on that one with so much choice of skimpy tops with mesh or diaphanous sleeves. There are some things I won’t wear—pelmet style short skirts have been out of the running for decades (other than for fancy dress parties—I work one recently to a Rocky Horror Picture Show fundraiser).

“I Feel Bad About My Neck!”

Nora Ephron onthe practive of ‘compensatory dressing’ by wearing turtlenecks, scarves and mandarin collars to hide one of the big flags of age, a crepey neck.

While it’s often difficult to come to terms with it, there is nothing unnatural or shameful about ageing skin and bodies. It just messes with our vanity and self-image. Our inner person is still young at heart and it’s hard to sync that with what we see in the mirror. There’s also the other aspect in that showing too much of it scares the crap out of younger people—OMG, am I going to be like that one day?

Faced with the bikini dilemma, this recidivist flaunter would probably dial it down if it were my niece or great-niece’s wedding. I can’t imagine anyone in my family opting for a beach wedding, but you never can tell. The last time I went anywhere near a beach, I coaxed myself into a somewhat skimpy one-piece cossie, but a bikini is probably beyond my comfort level. Why is this? What difference does a small additional bit of covering make? As we say in my brand world, “It’s all about perception.” Equally, as I’ve said before, if you have to get any part of your kit off, if you can’t tone it, tan it.

To bikini or not bikini is a choice. The length of your hemline is another choice. Whether you’re comfortable bearing your arms, keeping your hair long, or wearing tight jeans or figure-hugging ‘wiggle dresses’—all choices. I sincerely believe the choice simply depends on what you feel comfortable with. If you are hesitant about wearing something, don’t— there’s not much worse than suffering through an evening of wearer remorse. There will be something else that you can really rock.

I hate that we are so inhibited by so many unwritten and outdated conventions and proprieties—what’s ‘done’ and ‘not done’, The snobbery and judgementalism that pushes us into a doom loop of self-flagellation. Who can ever measure up? When I’m the ruler of the world, phrases like mutton dressed as lamb will be banished from the vocabulary in perpetuity, along with all those other ghastly limiting expressions that keep us chained up behind the bars of invisibility.


[1] The ‘Itsy Bitsy Teeny Weenie Bikini’ was immortalised in this truly awful song by Bryan Hyland of “Sealed with a Kiss” fame (a bit better, still cheesy) written by Vance and Pockriss whioch reached #1 on he Billboard Hot 100 chart, (#8 in the UK) and sold almost a million copies in the first two months of its release, when Hyland was only 16, and over two million copies in total.

[2] Mini-Me is a fictional character from the spoof Austin Powers film franchise, a miniature clone of the gloriously awful antagonist Dr. Evil. 

Not a dry eye in the house? There’s nothing like a good cry.

OK, so full disclosure: I’m a crier. I snivel at the drop of a happy or a sad ending. I tear up at feats of astonishing human achievement, bravery, loyalty, courage, against-the-odds survival, redemption, etc. Thinking about it, I tear up at astonishing feats of animal bravery, loyalty, courage, and against-the-odds survival. Not sure if redemption is a thing for animals, although there are some fantastic stories of animals that have gone feral and been rehabilitated, which have the same effect.

Perhaps a better way of putting it is that I am easily moved. I hope that means I’m healthily plugged into my emotions, not just at the mercy of a heap of repressed crap that gets triggered by the stuff I see, read and listen to. In any case, our experiences, good and bad, shape our responses, whether they bring smiles, laughter, tears or even a whopping great punch-up—some are just more in more socially acceptable than others. I’ve written a lot about the benefits smiling and laughing with, or even at, others, but a good cry is up there in the feel good stakes too.

According to Dr Thomas Dixon, in a recent book where he examines the history of British Crying — Weeping Britannia: Portrait of a Nation in Tears (don’t you love the title?), “Weeping is an intellectual activity, and yet it is also a bodily function like vomiting or sweating, or farting.” Tears seem to fulfil a higher function than just a vulgar bodily emission, but I guess they’re all forms of purging. When you think about it, crying’s not just an eruption of our emotional geysers, they’re also a way of protecting our eyes from spoilers like onions, billowing smoke, and particles carried in the wind by washing them out.

Whatever. There’s nothing like a good cry, or, as my Scottish compatriots would say, “a guid greet”. We have a rich vocabulary around crying. Snivelling, tearful, blubbing, wailing, sobbing, weeping, howling, bawling, to name the ones that instantly spring to mind. Bit like Miss Smilla and all those words for snow. Given how essential it is to our wellbeing, it’s a pity that publicly crying is one of the last taboos of our era. It’s almost up there with PDA (public displays of affection) on the pantheon of awful. We make fun of outsize emotions. God help the celeb caught crying a river over a broken relationship — paps have a field day, and it’s nirvana for the wits of the world who conjure meme magic to the schadenfreudistic (is that a word?) delight of all.

It hasn’t always been like this. We’re much more buttoned up than we used to be. From the earliest of times, tears have been associated with mourning rituals that included extreme acting out—prostration, excessive crying, tearing the hair, ripping clothes, smearing ashes on your face, for example. I’m glad that style of mourning has … er … died a death. But we’re far from it being considered good form to break down sobbing if our cappuccino is delivered cold.

In the medieval and Tudor world, histrionics were all the rage. People regularly gave their lachrymal glands a workout. Think big beefy Henry VIII (in his later years) projectile crying and generally carrying on like a toddler in full view of his court when something didn’t go his way. Up to comparatively recently, crying and emoting bit time were social norms. In the grip of high Romanticism, the early Victorian ear was awash … literally. It wasn’t until Albert died, leaving Victoria a grieving widow, that the vibe changed and emotional exuberance exited stage left. In it’s place came the stuffy, straight-laced, stiff-upper-lipped society we associate with the later era (at least on the surface). And it happened in only a couple of decades. Thanks for your legacy, late Victorians!

Subsequent generations copped all those repressive sentiments like “big boys don’t cry” and “I’ll give you something to cry about”. Even now, with much more relaxed standards and our buy into the concept of emotional intelligence, we’re not performative in our grief like our forebears.

The Tearjerker movie was a genius invention in a world with so little tolerance for adult tears. Tearjerkers allowed us a legitimate release valve. We could snivel up a storm in a dark auditorium where the tear police’s writ didn’t run. Of course, penance for this self-indulgence came in that ghastly moment when you had to exit your local Odeon clutching a wad of soggy tissues with bloodshot, morning-after panda eyes, and mascara-streaked cheeks. A blobby red nose and puffed-up, swollen lips completed the wrung-out look. The fact that everyone emerged the same did nothing to diminish the cringe factor of being seen having given in to an emotional storm. You could even hear the most blokey blokes coughing manfully, trying to camouflage this heinous crime. No one met anyone else’s eyes. It was wonderful and embarrassing and deeply cathartic. There is nothing like a good cry.

Credit: skynesher

I read an article this week about the absence of tearjerkers from our screens over the last couple of decades. Perhaps, with the advent of streaming services, we no longer saw the attraction of collective emoting in the dark. It’s just not the same sitting at home blubbing to yourself, your family and / or your companion animals.

Although tearjerkers have been Hollywood’s secret sauce since the earliest “I want to be alone” Garbo movies, their heyday is considered to be the seventies and eighties. This time saw a plethora of cryfests like Terms of Endearment, The Way We Were, Love Story, Kramer vs Kramer, Field of Dreams, ET, Top Gun, Beaches, Watership Down, and A Star is Born (the Streisand/ Kristoffersen version) and many more, hit our screens. We cried. And cried. And cried some more. It was magnificent. Not a dry eye in any house. Then peak tears arrived in 1997 with the titan of them all, the blockbuster Titanic, and we gave our tear ducts a rest. However, it seems there are stirrings in the wind that it might just be crying again[1]. Oh yeah, baby, yeah.  

The article got me pondering my all-time, guaranteed to open the emotional floodgates films. I blubbed my way through all of the above and many more. But if I want to cry without resorting to watching a movie— if I were an actor getting myself into the zone—there are two standouts. Curiously, both are children’s films, and both are about animals. So … drum roll … at the pinnacle of my all-time weepies? The 1994 film of Black Beauty. Specifically, the bit when Beauty sees Ginger for the last time alive.

“As if by magic, there she was, my beautiful Ginger. She was skin and bones. What had they done to her?”

From the 1994 film Black Beauty

They stand next to each other in a cab rank for a moment, and Beauty remembers when she was young and beautiful and all their happy ‘before times’ when men were kind. The next time he sees her, she is being hauled away, lifeless, on a cart. Tearing up as I write.

Black Beauty was my favourite book as a horse-mad little girl, which likely underpins my response to the film. I still have a copy. The last time I read it, I cried from about half way through, ending in convulsive sobbing at the bittersweet end . Luckily, it’s not a long book—I don’t think my internal waterworks could have coped.

Next? The ever-green Disney classic, Bambi. Specifically, the bit when a hunter shoots Bambi’s mother, and he’s left all alone. Gets me every time. In third place, Bambi again — when we realise his father is watching out for him. Now I’m crying as I write. It’s amazing that this 1942 movie still tears the heartstrings in a way many more recent ones don’t.

What are your favourites when you want a good cry? Here are a couple of handy top compilations of films, songs and books to get your give your tear ducts a workout. I don’t always agree with the selections, but each to their tearful own.

Films I Songs I Books

Anyway, must run. Off to my local cinema to catch Freud’s Last Interview. With a title like that, it’s bound to be a tearjerker!


[1] If films don’t do it for you, try this this gravelly Ray Charles, version of It’s Crying Time Again.

Do the (Side) Hustle

Remember the 1975 disco hit The Hustle by Van McCoy and the Soul Symphony? The ‘song’ made No. 1 on the U.S. Billboard Hot 100 and Hot Soul Singles charts during the summer of 1975 and on the Canadian RPM charts. It peaked at No. 3 in the U.K., No. 5 in New Zealand, and No. 9 in Australia. It only made 38 on the French Singles Chart, confirming (in case it needed to be) that the French are different. The Hustle won a Grammy for Best Pop Instrumental Performance early in 1976 and sold over a million copies. 

But wait, there’s more. This catchy but annoying ‘song’ has been featured in films including Stuck on YouVampires Suck and The Lorax, T.V. programmes— Shark Tales, That ‘70s Show, American Dad! and Futurama, amongst others. You’d have to say it was a whopping success despite only having three words—Do the Hustle! 

According to wikiHow, The Hustle is a “fast-paced partner dance, related to swing, and commonly danced to disco and modern pop. The dance involves four basic moves: stepping, twirling, chicken dancing, a move called ‘The Travolta’, and turning.” Then it was rinse and repeat until you drop. 

If you want a walk down memory lane and the chance to brush up on your hustle moves or try them out for the first time, you’ll find instructions in this incredibly cheesy short video. You’ll love it … honestly. Despite my cynicism, listening to it brought a fun flashback to my mid-seventies teenage disco queen. 

Anyway, despite a cursory search into the background of the dance, I couldn’t find anything specific. Presumably, it was a nod to the need to hustle to succeed or survive in the hustle and bustle of the seventies. It’s become much more sophisticated these days—it seems everyone has a side hustle—as a cheeky ‘must have’ accessory to one’s working life. Side hustles are flexible work that you do over and above your primary job to bring extra cash, get your creativity flowing or add purpose to your life. It could be taking up a new hobby, learning a new skill or using an existing one you want to ‘monetise’ at some point. Could even be volunteering for a non-profit you rate. 

As professional speaker and coach Alissa Carpenter says, “We all know Millennials love a good side hustle—to fuel their passions and wallets”. But it’s not just Millennials. It seems we’re all at it, including me; you’re no one if you don’t have a side hustle. It’s the ultimate put-down of our contemporary world: “What, no side hustle!”. I exaggerate, but the concept of the side hustle is endemic. 

I feel we need an updated version of The Hustle—Do The Side Hustle. What a pity Van McCoy died in 1979, shortly after the hit’s success, so he can’t do a side hustle of his own by remastering the original and raking it in. Clearly, it’s a great opportunity for some keen hustler.

Of course, it isn’t new. People have been forced or opted to take up additional burdens to make ends meet since Adam and Eve were ejected from Eden without notice. I’m sure they hadn’t had time to build up a rainy-day nest egg. People bandy the words around like membership of an exclusive club, but for people living on the margins, it’s always been an unwelcome part of their reality—the only way they can feed their families and survive. There’s also always been the darker side. I’m thinking black marketeers during war and rationing when fortunes are made by offering consumer goods that couldn’t be bought in conventional shops at exorbitant prices. The side hustle all too often comes wrapped in the trappings of despair, manipulation or holding people to ransom.  

While this type of side hustle is still shamingly very much part of the human condition, the trendy contemporary version seems pretty harmless. Side hustles, after all, make us better, more rounded, more connected, or simply wealthier people. Where’s the harm? Who suffers if you decide to set up an Etsy Shop as an outlet for your creativity? Or if I use all my waking hours outside work trying to become a best-selling author? Surely, it’s good to pursue the paths that make our hearts sing beyond the 9 to 5 grind. Why not use our ingenuity to make money on the hoof?

I’m a side hustler with the best of them, but there are issues. I’m about to publish a new book, and I’m running on fumes, trying to keep all the plates spinning. Side hustles can be hungry beasts sucking up all your best energy. In my day job, I run a design studio, which I own. As my book launch date looms, I’m not entirely clear which is the side course, and which is the main one as I scramble to keep all the plates spinning and keep my business dynamic whilst doing everything it takes to give my book its best shot. I’m blessed with high energy levels, but they’re not infinite, and I’m conscious of the risk of burnout if I keep the candle lit at both ends. I live alone, so it’s my call how I use my out-of-office time, but side hustles can short-change friends and family, stealing time that should be theirs. 

I’m all for putting time into hobbies and gaining new skills. You meet new people, expand your horizons, and potentially earn a bit of welcome extra dosh. I’ve met a wide range of like-minded people through mine, something I didn’t even consider when I started my indie publishing business with my sister. However, the statistics show that side hustles as a necessity are on the rise. According to CNBC’s Gilli Molinsky, “44% of people with a side hustle think they’ll always need it—and more are picking one up”. According to an April 2023 Bankrate survey of 2,505 U.S. adults, more than 39% have a side hustle to help cover living expenses rather than for discretionary spending. Half of the Millennials surveyed and over fifty per cent of the Gen Xers have one. 

The tragedy behind these stats is that too many people are going backwards financially, often underpaid, and coping with eye-watering costs of living hikes. Inflation at least seems to be under control (for now), but that only means commodities stay at the same high rates; they don’t revert to their more affordable pre-inflationary levels, so the cost-of-living hike is hard-wired in even though the curve has flattened (again, for now).

Anyway, I’m sure you get my point. Side hustles can be fun and richly rewarding on many counts for those of us lucky enough to follow our dreams because we can. They shouldn’t be a survival mechanism for people who have no choice.

P.S. Sorry if I’ve given you an earworm. If it’s any consolation, I can’t get the pesky Hustle thing out of my head either.

Bouncing is what Tiggers do best

I haven’t posted a blog for a year. It’s not that I lack ideas, but when I get into any of them, I find myself curiously bewildered about what I want to say in this polarising world where every precious word can be someone’s micro-aggression, trigger, or unsafety. 

I don’t have a global following, so what I write isn’t likely to get serious oxygen, but it’s still depressing because I’m a Tigger type — it’s in my DNA. Remember AA Milne’s excellent Winnie-the-Pooh stories? (Are we still allowed to talk about these?) Pooh fans will know that Tigger is one of the animal characters in these stories who get up to all sorts of adventures and misadventures together. Tigger — unsurprisingly a tiger — is notable for his love of bouncing, which occasionally lands him in trouble with his friends or stuck up a tree he can’t get down from without help.

As a kid, my family used to joke about my Tigger tendencies as I bounced through each day — a happy little unit with a decidedly sunny nature who sang away to herself most days on waking. Like the unfortunate Elephant’s Child in Kipling’s Just So Stories (apologies if Kipling is no longer kosher either), I have “‘satiable curiosity” and am fond of shiny new things. I strongly lean towards seeing the good side of people and situations. Somewhat irritating qualities to the less Tiggerish in demeanour it has to be said. 

My Tigger gene has generally carried me through life with the wide-eyed expectations of a child in a sweet shop, helped by a succession of stylish rose-tinted glasses. Over the last few years, though, I seem to have acquired tinges of Tigger’s perennially pessimistic, gloomy and depressed friend, Eeyore the donkey. My vivid orange Tigger stripes faded like furniture left in the sun for too long. My bounce became more of a plod, and my enthusiasm for … well … pretty much everything, like my childhood dawn chorus, muted. 

It’s easy to blame everything on COVID, but that’s a bit of a cop-out. For sure, the COVID era has felt like a plague of locusts descending on the planet, consuming everything good and decent and leaving a miasma of misery, myopia and malice in its wake. It’s been a tough time on many levels, not least for owners of small businesses like me. The ‘global pause’ also saw the cancellation of so many rites of passage that bring humans together with some degree of harmony. Time has felt one-dimensional without them. We managed to flatten the curve of chronology even though we failed with the epidemiological one — COVID remains a Spectre at our feast, and chronology for a while morphed into one of Dali’s dripping clocks. 

I can’t blame COVID for everything. I can’t blame COVID for the results of my choices, tempting though it is. I can’t blame COVID for the gap the loss of my parents has left in my heart. Equally, I can’t give COVID credit for the good things that have happened — there have been a lot of those, and I’m grateful. I also am not prepared to give COVID credit for the decision a couple of years ago to adopt my sister’s favourite mantra, “Nothing changes if nothing changes”. Working on that basis, I made changes. I took back control and stopped being victimised by the times. My mantra has long been, “If your ship doesn’t come in, swim out to it”. I realised I’d been merely treading water and started to strike out again with renewed determination towards my treasure laden ship.

The treasure I was swimming towards was purpose. The determination to re-invent my business. It was hard-hit during the pandemic and living on life support trying to sustain an outdated business model. It needed fresh thinking, so we defined an inspiring vision that would allow our Phoenix to rise in glittering splendour from the ashes of its previous incarnation. Nearly two years to the day, this vision is becoming a reality. I’m beyond excited and proud of the way it’s all coming together. I’ve written a book drawing on my professional expertise in brand development, which is being published next month, followed by the launch of an online learning platform by the end of the year. In my high-octane quest to re-calibrate and take our business into pastures new, I’ve been gobbling up apps and digital tools like the pursuers of wellness swallow Multivits. I’ve been at the edge of my comfort zone so many times mastering a heap of stuff, but l’m loving the journey.

Nothing’s easy, but it’s much easier when your gut agrees with your choices, and my gut is entirely in sync with this direction. It will allow me to focus on the stuff I want to do and not be a hostage to the place and time demands conventional businesses traditionally dictate. I’m not getting any younger, so this is a genuine need. It’s one thing I can unconditionally thank COVID for — we’ve all learned how to do things differently, and the pandemic accelerated the shift online by at least a decade, opening new ways of working and managing work. That feels a bit like freedom to me.

So, I’m happy to say Tigger’s back, bouncing around like a young grasshopper. The world once more feels like my oyster. Time has stopped dripping away. It’s not that I don’t care about what’s going on ‘out there’; I’ve just decided to stop letting the gloom darken my little corner of it. Our species has navigated into turbulent waters, but that doesn’t mean we must drown in the maelstrom. Life with purpose has always been a higher path. It always will be. Purpose gives our lives meaning. Purpose sees off pessimism. Purpose will get us through. My current purpose will keep me bouncing forward rather than up random trees I can’t get down from. 

I’m imagining the eye rolls of my family and the people I’ve lived with as I write. But hey, if I want to sing in the morning, I’ll sing. OK???

Illustrations from Winnie-the-Pooh books by E H Shepard. These are in the public domain.

Hibernation mode deactivated

I’m excited—I’m writing a book. Please feel free to join my happy dance. I’ve been writing my book for several months now. Unfortunately, after a burst of energy over the (southern hemisphere summer), ennui sank its fangs into the jugular of my writer’s mojo, and I went back into a slough of inertia, if not outright despond. 

This whole pandemic thing and all the other unthinkable stuff that’s going on around us has challenged me big time. It’s like someone found Pandora’s Box intact, read the cautionary tale about what happens when you open it, but thought it would be a winning idea to open it anyway and see if it’s as bad as legend would have it. Just as an aside, Pandora’s box was, in fact, Pandora’s jar. There’s a long and boring story about Erasmus usign the wrong word when he translated the story from Greek to Latin…zzzzzz. Anyway, box or jar, it was left in Pandora’s care and curiosity drove her to open it. Epic fail! Imagine her face as she watched sickness, death and myriad other evils escape into the world. Even though she shut the box as quickly as she could — well, you would, wouldn’t you? — the only thing she shut back in was hope, surely the one thing humanity needed to survive the others? Eek! You’d have to think Pandora spent the rest of her life in therapy, coming to terms with her guilt.

Anyway, back to me. I don’t think I have felt so much lack of certainty before. Frankly, I’ve been confused in these oh-so-changing and identity-obsessed times. Every time I crank up my computer to start a post, I get bogged down in the deathly dichotomy of doctrinal duality (not to mention laboured alliteration). It’s not that I haven’t had ideas; it’s just that when I start to run with one of them, so many different pathways open up that I quite literally get overwhelmed and can’t decide which to follow. Like Robert Frost, I’d go for the one less travelled, but almost all of them qualify on that count these days. 

For someone who loves to comment, this uncharacteristic state of no comment—haven’t posted a blog at all this year and only a couple last year—is disturbing. There’s been such a one-dimensionality about life. The usual rites of passage have been cancelled or postponed, sometimes more than once. My choir is on it’s fourth attempt to sing the mighty Bach Mass in B Minor. Parties, weddings, funerals, festivals, concerts, celebrations with family and friends, travel and holidays. Many of the things that anchor our lives haven’t happened. Time seems to have folded into itself. Chronological memory has stalled—it’s hard to remember what happened and when it happened because the rhythm of our lives has been messed around so badly. 

However, I had a ‘Damascus moment’ a few weeks ago. I realise I’ve been in mental hibernation. We humans aren’t supposed to be able to hibernate, but I’m walking proof “the science” is wrong on this. Think about it. Hibernation is the thing that animals do to conserve energy so they can survive adverse weather conditions or lack of food. But isn’t hibernation just one great big sleep? Not at all. They’re not all a bunch of lazy fur balls—hibernation isn’t technically sleeping, and hibernating animals ‘wake up’ periodically. Hibernation’s more a state of torpor. The animal’s heartbeat and breathing slow, and their body temperature drops significantly. But they are still capable of some activity, including suckling cubs. Sounds scarily like my last two years, except for the cub suckling bit. Oh, and hibernating bears don’t eat, drink or exercise for around 100 days. I’ll leave you to figure out which of those abstentions apply to my hibernation experience. 

If animals can hibernate to survive stuff like adverse weather, why not me ? I’ve clearly been in a state of torpor avoiding all the crap unleashed by the idiot who re-opened Pandora’s box (or jar). I’ve been in my imaginary leaf and twig-lined den waiting for better times. What? I’ve woken up too soon? Well, even bears can only hibernate for so long. 

In any case, as there is SFA I can do about any of the stuff I’ve been hoping to outlast, I figured it was time to grab some of those lemons life has lobbed in my direction and make some lemonade. It’s time to zoom in on the certainties and consign confusion to outer darkness. So, I’m writing a book about branding for the founders of start-up and early-stage businesses. You may well think this is a giant leap from writing about random shit in this blog, but developing and managing brands is what I do for a living and, after a lot of years plus a fair few cracks at the entrepreneurial life to lace through it all, I have a lot of material. You might say my stash of lemons is a big one. Much tasty lemonade should result. 

OK, I’ll stop labouring the point and move on. But I am excited. It’s going well. Energy is high, optimism is loaded, and the world is again my oyster. Hibernation mode is most definitely deactivated.

Laugh kookaburra, laugh

I love Australia. OK, so I don’t love everything about the place. Notably, I don’t love its political landscape and some of its harsher worldviews and policies. But then again, that could be said for a lot of places these days. In my book, they also have one of the worst national anthems. It’s hard to imagine the heart beating faster singing Advance Australia Fair, but each to their own — and it seems to work for the locals if the expressions on the faces of their sports teams while it’s performed are anything to go by. As anthem’s go, it’s hard to beat the line, “Our home is girt by sea”. But then I guess that was the sort of drivel churned out back in the day when such things were written. At least it only runs to one verse unlike many others including my own homeland’s “God Save” with its six verses of out-dated empirical triumphalism.

Anyway, back to ‘Stralia. It has an energy and feel all of its own. If you haven’t been there yet, add it to your bucket list. What? Australia’s borders are closed? When they re-open you’ll need to mortgage your house to fly anywhere? You might get flight-shamed anyway, so what’s the point? OK, so you may not be able to go there any time soon but you can always binge watch David Attenborough’s back catalogue which is full of advanced Australia flora and fauna. No reason why bucket list activities can’t go online like everything else these days.

I reckon I must have been a ‘twitcher’ in a previous life because I get so much joy from watching birds. One highlight of my various Outback Oddysey’s was staying in a remote camp about 500kms east of Darwin that boasted a resident pair of kookaburra’s. I’d never seen one before. This ‘laughing’ kingfisher has become a household name, not only through Girl Guide campfire round — Kukarburra Sits in the Old Gum Tree — but also as the stock sound effect used to represent the Australian bush, especially in older movies. Unlike many kingfishers, they’re not closely associated with water and rarely eat fish, although they have been known to snack on stolen goldfish from garden ponds. Treats like mice, snakes, insects, small reptiles, even the chicks of other birds are more to their carnivorous liking.

The last time I was in Oz was at the beginning of this year in late January when I went sailing with some friends in Pittwater, a tidal estuary just north of Sydney. When I arrived in Sydney at the start of the trip, the impact of the bushfires that had been blazing through the summer was everywhere. In the ash coating many cars, the smell in the air and the haze hanging over the city. Even out on the water the acrid tang of smoke was palpable in places, and we sailed past a new fire ignited by a dramatic overnight electric storm. It felt voyeuristic to be so close to the beginning of another fire outbreak… and yet, we couldn’t tear our eyes away.

One day, our intrepid crew of seven moored at a spectacular and remote waterside restaurant for lunch. Among our fellow diners were three pairs of kookaburras — the restaurant staff had been feeding them. It was a heart-warming sight at a time when the full implications of the ecological and wildlife disaster that had been unfolding were becoming apparent. We were charmed and privileged by their company. At about the same time a haunting photo of a kukaburra overlooking a fire-devasted wasteland featured prominently in the media and burnt itself on our retinas. It was a stark reminder of how fast the sands of time are running out.

The bush fires were declared contained in mid-February and over in early March. More than one-fifth of the country’s eucalypt forests were burned at un-calculable cost to the ecosystems they support. I was heartened to read recently that the burnt trees are beginning to show signs of recovery with small leafy branches sprouting from the blackened trunks. Apparently eucalypts sprout tufts of “emergency foliage” after wildfire while their leaves re-grow. This provides a boost of photosynthesis until their canopy leaves grow back. They need this break in order to fully recover. But, as fires become more frequent, it’s thought even fire-adapted tree species won’t get the break they need.  The merry merry king of the bush must be struggling to find something to laugh about in these times.

The irony of that holiday was that it happened as the threat of coronavirus was casting its shadow around the world. At that point, the global nature of the virus was still only conjecture — we’d seen the impact on Wuhan and it was beginning to hit Europe — it wasn’t certain we would be affected. Looking back, that time BC seems like some strange parallel universe. We all knew there were ‘issues’, but many of us started the year with the optimism born of all the increased activism in 2019.

It felt like 2020 was going to be THE year when things finally changed. Australia burning, awful though it was, highlighted a lot of inconvenient and unavoidable truths. Who could have been un-moved by the harrowing, post-apocalyptic scenes of people being evacuated from fire encircled beaches and the dreadful toll on the animal population and the ecosystem.

On the last day of the trip, we had a leisurely lunch before we all went our separate ways. More out a sense of curiosity than anything else, we started googling what the powers of the Directors General of Health in NZ and Aus were in the event coronavirus  decided to pay the Southern Hemisphere a visit. Draconian was the answer, as we were about to find out when both countries went into lockdown a few weeks later.

In five short months, so much has changed. But through it all, a common thread has been our human capacity to be resilient, create, innovate and adapt to even the most challenging of circumstances. The sheer scale and quality of creativity we saw during lockdown was a testament to this. Tying the two threads of this story together, I was delighted recently by the coverage of a 15-foot-tall sculpture of a kookaburra created by Farvardin Daliri (see header image).

I’m sure you saw the video of it being towed round ‘hood’ in Brisbane, cackling away thanks to an embedded sounds system. The video went viral, and was picked up by newsrooms around the world. It seems, Daliri had started the project during the Christmas break, but was stymied by the scale. Lockdown gave him time and the motivation to complete it as a way of cheering people up.

28oz-kookaburra-1-superJumbo-v2

The kookaburra installation was intended for an arts festival, the Townsville Cultural Fest. It’s one of a series of grand scale art. Other works include a 15-foot-tall koala, a 200-foot-long carpet snake and a 33-foot-long crocodile. “When something is big, it imposes itself on you. It becomes undeniable,” Daliri has said about his creations.

I guess, it doesn’t get much bigger than the Australian bush fires last summer or the coronavirus. They have truly imposed themselves on us and it must be becoming undeniable to even the most recidivist deniers that a lot of things in our world are broken. If we could use the creativity and innovative thinking we pulled out of our collective hats and apply this to the problems, how hard could it be?

 

 

 

 

 

 

 

 

 

 

Do the Covid Shuffle?

“Did you have a good lockdown?” the wags are all asking since we moved back to Level 1. As if it really was a war. Maybe it was? Thinking about it, if it was a war, it’s still very much alive on many fronts. The phantom menace we’re ‘fighting’ — the pesky Coronavirus — still stalks the earth.

It’s still hard to take in. It’s as if a fictitious dystopian future has jumped off the page.Life BC seems to have happened in some parallel universe … far, far away. “Unprecedented” they say. Unprecedented, ‘they’ say a lot. It’s le mot du pandemic. The top cliché of our coronavirus times. In these times, our vocabulary has extended — flatten the curve, epidemiology, self-isolation, social distancing and bubble love. ‘Quarantinis’ replaced martinis for the fashionable set, and the WFM brigade came out of lockdown Zoomed-out, near Zombies reeling from Zoomchosis. You know the drill? All that pacing up and down the living room, head shaking purposelessly from side to side, unfocused eyes looking inward to some analogue paradise of yore.

Coronavirus pushed us to a locked-down standstill. A global pause. Emergency workers diced with death, the rest of us dug in at home and were forced to deal with whatever daily reality home represented. We got creative and entertained each other in profound and emotionally charged ways. We laughed We cried. We grieved. We rejoiced. We lost our jobs. We worried about our jobs. Our businesses. We valued things we didn’t before. We applauded new heroes. We teared-up as plucky, indomitable Major Tom shuffled his Zimmer-framed way back and forward across his garden earning staggering amounts for the British National Health Service. Those of us who could, counted our blessings.

We did the COVID Shuffle. That excruciating manoeuvre as you step off the pavement to maintain the requisite distance from an approaching person or bubble, whilst simultaneously smiling like the Cheshire Cat and offering hearty greetings to avoid causing offence. Also, to have a precious moment of human connection.

It’s a bleak time for the party animals in our midst — “introverts, your extrovert friends need your help” was one of the more entertaining and ironic truths coming through from the meme land. Life in the time of Lockdown was also something of a bonfire of the vanities. What’s the point blinging-up a storm to sit at home? Actually, I did smear a bit of make-up around most days — Zoom has a certain motivating quality on that score. Occasionally ditched the leggings for a skirt, or even a dress.

But hey, we succeeded. We flattened the pesky curve. For an intoxicating number of consecutive days, no cases at all — existing, new or prospective. “FOR NOW!” said our Prime Minister, another hero of the moment. Jacindamania isn’t only a New Zealand phenomenon. I know Aussies who’ve asked her to invade and spare them from the bigoted, climate denying MAN they’re lumbered with. How right she was as we now three new cases delivered to our doorstep by returning residents. This was always likely and wouldn’t be too troublesome if the border quarantine procedures hadn’t turned out to be a monster cockup. Jacinda and her plucky little team of five mission are now royally pissed at whatever ‘them’ was responsible. We’ve all eaten our greens and done what we’ve been told at … er … unprecedented cost. Why should other people be allowed to break curfew, even on compassionate grounds? Hey, ho, it is what is.

So, on reflection, it has been a sort of is a war. For more than two months, we sequestered ourselves in our home shelters while the Coronavirus sent its silent but deadly aerosols into our communities and ravaged our economy. Many of us wondered what will be left when the dust settles. For now, we Kiwis have won a battle, but the war itself rages on around the world and the breakout this week shows how easily we could get sucked back in. But it’s not just the pandemic. As we navel-gazed our way through the Lockdown fog, pondering the meaning of life the universe and everything, for even the most fervent deniers, it was hard to ignore the inconvenient truth that our planet and our lives are globally and intimately linked. And that our certainties can be upended in a heartbeat. We now understand in a visceral and undeniable way that there are bigger and deadlier risks on the horizon if we don’t dramatically shift our values, and how we live, spend and consume.

Countries are struggling to meet their sustainability commitments. People are worried — time is not our friend. It’s as if the Coronavirus has swept the lid off a contemporary Pandora’s Box and out has poured the sickness, death and other evils which have blighted the world while we watch the horror unfold with horror and incredulity in real-time on our devices. The gap between the super-rich and everyone else yawns like a gaping chasm that can’t be bridged. Extreme weather events get more extreme. It seems as if we’re fiddling while the Outback burns.

We make pacts with our higher powers that the future will be better. That sustainability won’t be thrown out with the bathwater. We talk about “the new normal” as if it’s a point in time we are waiting to arrive at. But there’s no pre-ordination involved. The new normal is a blank canvas waiting for our artist’s brush. The only question is what do we paint? Will it be a beautiful harmonious landscape? A primal scream? A world where no-one is left behind? I’m putting my money on the latter.

Crises serve up latitude to break moulds. To change the status quo. Shock allows for more shock. We’ve been through so much, what’s a little more if it turns this moment to benefit? As New York Times opinion writer Charlie Warzel put it, Right now, in the midst of a series of cascading, intersecting crises (racial and economic inequality, climate change, mass unemployment, a pandemic) what’s possible feels more of an open-question than any other moment in recent times.”

My sudden addiction to The Chase during Lockdown, did kick up a useful piece of trivia. Pandora’s Box didn’t only contain all the bad stuff. It also held Hope and we need Hope to soar around the world and work its magic. With hope loose in the world, I’m backing us humans to open our minds to the possible and make all the sacrifice mean something.

May we not live in interesting times

I’m sure you know the expression “may you live in interesting times”. This is sometimes referred to as ‘the Chinese Curse’. On the surface, it seems to be a positive wish, it’s typically used ironically with the “interesting” bit referring to moments when there is disorder and conflict rather than peace and stability. I should point out here that the cultural appropriation appears to be … er … not cultural … as there is apparently no known equivalent translation in Chinese.

Anyway, I’d say we’re certainly living in interesting times. In fact, you could likely put up an argument these are the most interesting times ever. In the proverbial sense, it doesn’t get much more interesting than the prospect of cataclysmic climate change that we’re facing, not to mention the seismic shifts going on in politics around the world.

In this sense, my last couple of months could also be described as “interesting”. I’ve been to three conferences focussed on sustainability and social justice issues, joined 40,000 others who marched to our Parliament building in Wellington’s Climate Strike, learned a useful new word,  Zweckpessimismus, and sung in a big production of Carl Orff’s immortal and highly bawdy Carmina Burana. You might struggle to see the connections, but ‘bear with’ …

With the exception of singing Carmina, which was tremendous, the common denominator linking the other threads was how easy it would be to get cynical and lose hope in the face of all the issues. For sure, the various conferences dished up some inspiring instances of people who clearly give a lot of damns doing amazing things, they also underscored a few home truths. While a lot of it was stuff I already knew, such as the awful state of our oceans with all that plastic choking the life out of everything in them and the shame of places like the Great Pacific Garbage Patch, it’s still shocking to listen to researchers who’ve seen these horrors up close and personal and measured the impact. I knew it was bad, but the scale is staggering. And that’s just the oceans!

I was a bit depressed at the end of this run of events, wondering if it really is possible for us to get the lid back on the Pandora’s Box we’ve opened. Wondering why so many people are still in denial that it actually exists, let alone has been opened? Then I came across the concept of Zweckpessimismus which helped me understand why so many of us seem transfixed like  deer in the headlights, unable to pull their heads out of the sand.

Zweckpessimismus is one of those complicated German compounds which translates as something like pessimism on purpose. In other words, the attitude of expecting the worst in order to feel relief when the worst doesn’t happen. This is undoubtedly one way of coping in a very uncertain world, but it seems like the sort of self-fulfilling prophecy that we should avoid like the plague.  Surely, we should be going hard out for the opposite — what can go right will go right?

Zweckpessimists, with their doomsday thinking are actually dangerous in these super-intersting times when we need hope and optimism above everything else. While it might be a wonderful feeling when you have expected the worst and it doesn’t happen, it is pushing out a form of negative energy that infects others with alarm and fear. Instead, let’s pool all the good vibes we can call forth to create an unstoppable wave of positivity to inspire our Simian ingenuity and creativity to find solutions. Perhaps then, the tipping point we seem to be reaching, will skew in the direction of a world we would like to see. Let’s opt for uninteresting times and be bored in perpetuity by the serenity of global peace and ecological abundance rather than the dystopian alternative that is the other option.

Coming back to performing Carmina Burana. It was a true celebration of what people can achieve in harmony.  Without blowing my own trumpet (both puns intended), it was a great night. Close to 2,000 people — audience and all the performers — left the concert on a high. This high — a palpable energy buzzing around the auditorium connecting us all — stayed with me long after the strains of the music were done. I hope that is true for others who were there. If we could always feel this way, how amazing would our lives be? Imagine the transformation that would follow if every Zweckpessimist out there expected the best instead of the worst. Someone should coin a word for that!

 

Counterfeit World?

Haven’t written a post for some time. When I turned 60 in March I came over all introspective and had an unaccountable urge to start writing my auto-biography. This was all going quite well until I got into a funk about how much of my life and times I actually want to share … honestly … and so I ‘pivoted’ (the moniker the start-up community apply to a whopping change of direction) and am now a funk-free zone.

However, today I read an article that actually made me get my blog groove back on. The article was about the fact that for several years, a number of the (credible) scientific community around the world have been testing the possibility that we are part of a simulated world. Oh great, another fear to be factored into the growing list. To be sure, this is not at all a new concept. In the seventies, I can remember reading sci-fi books like Counterfeit World (or Simulacron-3 as it was published, for some unaccountable reason, in some places) written by Daniel F Galouye in 1964.

Counterfeit World featured a total environment simulator created by a scientist to advance market research by reducing the need for opinion polls. The world’s  inhabitants are unaware they are only electronic impulses in a computer. As the story unfolds, the protagonist progressively grasps that his world is likely not “real” and struggles with inchoate madness brought on by this realisation. Well, you would wouldn’t you? Things get pretty nasty before they get better as the ‘gods’ controlling his  ‘world’ try to keep the lid on their unravelling experiment. I wonder if this fab little book provided inspiration for the spine-chilling gold standard for simulated worlds, The Matrix (1999)?

While I don’t actually believe that we are part of a simulated world, the fact remains that computer simulation has become a norm, even if we aren’t yet capable of creating actual populated worlds. As the article points out, since the 90s, computer simulations have been set up to try to get answers to Big Questions.  Questions like “What causes war?”, “How will climate change affect global migration?” and “Which political systems are most stable?” Does anyone else wish someone would answer the biggest question “How do I win Lotto?  … and please, I want more than the standard “Buy a ticket”.

As things stand though, computers aren’t really up to the job of mimicking the extraordinary complexity of our world. Or, at least, not very well. Anyone hear the “yet” hovering at the end of this sentence. I’m open to believing that someday they might be. That it’s not beyond the realms of possibility that they could achieve a state of sophistication where they could create simulations of people in computer code who are to all intents and purposes just like you and me in the way they think and behave. Scary shit huh? But there are people out there — and not just ANY old people, people with the sort of credentials that give them a seat at the table  — who think this may already have happened, that we actually are living in a computer simulation created by a more advanced civilisations.

As far back as 2003, the philosopher Nick Bostrom suggested that if you can believe that we might one day be running many simulations from an anthropological point of view to better understand our ancestors and the history of our civilisation, it is logical that we are living in one of them right now. And why would that be? According to Bostrom, “If people eventually develop simulation technology — no matter how long that takes — and if they’re interested in creating simulations of their ancestors, then simulated people with experiences just like ours will vastly outnumber un-simulated people.”

This would mean that our current world could then just be one of many because any anthropologist historian wishing to get beyond The Age of Empires as a way of understanding the rise and fall of civilisations will make many simulations involving millions or even billions of people to assess all the possible scenarios. As tainted genius Elon Musk sees it, “the odds that we are NOT simulations are one in billions.”

While this sounds like so much more conspiracy bollocks, since 2012, at least some members of the scientific community have been testing Bostrom’s thinking, including a bunch of physicists at the University of Washington. I’m no conspiracy theorist and I’m too lazy to try and decode how they are going about the testing — and why bother? After all, if we are living in a simulation or controlled experiment, ignorance has to be bliss.

The sinister aspect to testing whether we are indeed a simulation and actually proving that we are, is that if we knew for sure we are living in our own counterfeit world, we would become pointless to our controllers and they would likely end the experiment. It’s like when new drugs are tested for efficacy. It’s important that the patients involved don’t actually now whether they’re on the drug or taking a placebo. If they find out, the trial loses its point and will be cancelled. As Green calls it, a ‘simulation shutdown’ would occur and then what would become of us.? I’d say, whatever the truth, let sleeping dogs lie!

Statements of the bleeding obvious #201: Nice doctors really do make a difference!

It’s amazing how many times what’s billed as breakthrough new research really just confirms what we already understand from experience. Stuff like the fact that singing is good for us and can prolong our lives. That dogs and other animals lift the spirits of long-term hospital patients … as well as mostly everyone else. That laughter is infectious. That lovesickness is a genuine state.

OK, so we’re in an era where it’s possible and considered desirable to research esoteric and non-fundamental subjects. I’m cool with that — non-fundamental subjects like these actually make a lot of difference to our daily lives bringing cheer and happiness, often in dark times. So providing evidence that they really do achieve what  we intuitively feel they do is fab … even if the headlines they provoke seem more like statements of the bleeding obvious than radical insights into the  human psyche.

It most definitely is good to know that singing regularly could prolong my life — I do enough of it after all. It’s a bonus to know that, as well as the immediate buzz from   opening your larynx and letting rip, it’s a gift that keeps on giving in the all-of-life context. Also great to know empirically that my love of animals — near obsession it has to be said — is healthy. That bringing animals into hospitals is genuinely therapeutic and can bring comfort to people in pain or despair. Who hasn’t ever listened to a friend break out into a great belly laugh and  been been compelled to laugh too? Laugh and the world laughs with you, cry and you cry alone … so true. And love sickness? Well, it’s been a while since Apollo fired an arrow into my tender  heart and catalysed all the turbulent symptoms I described in an earlier blog You Make Me Sick! But I haven’t forgotten the visceralality of it all — there’s no question in my mind, it’s a lurg just as debilitating as a fluey cold.

At the weekend, I read another about one of these completely unsurprising research findings. Can A Nice Doctor Make Treatments More Effective? Well dear reader, if you were in any doubt on this count, according to new research by Stamford University in the US, having a doctor who is warm and reassuring actually improves your health. REALLY? Who knew? Most of us I would have thought. I found this astonishing non-news in weekly round up of good news from the New York Times. It’s full of great stories and I love it.

Last week comes Romeo the Sehuencas water frog to my inbox. Romeo is a very rare creature. He was thought to be the last of his type. No Juliet to be found anywhere, let alone on ‘yonder balcony’. Day after endless day, sad Romeo croaked out “Juliet, Juliet, wherefore art thou Juliet?” from his home in a Bolivian museum. Actually what he said was, “ribbet, ribbet, ribbet …” but where’s the poetry in that? Cutting to the chase, biologists had pretty much given up their search in the remote and inaccessible areas of Bolivia where said Juliet might have been found. Then behold! There she was. Juliet the miracle frog — a potential mate for our lonesome hero. Being the only two Sequencas water frogs in existence, it was set to be a fine romance and I’d love to be able to say, “and they both lived happily ever after”. But even for a frog with only one possible mate, the chemistry still has to be right. Imagine the pressure! Without mincing words, would you be prepared to shag some random stranger to preserve our species? Fine if it’s George Clooney.  Not so fine if … well, the list is endless. But then again, unlike Romeo, no one I know is faced with the decision to take one for the future of our species and it’s easy to be precious when we’re in no imminent danger of extinction … unless we keep  messing with our natural habitat that is. All joking aside, a lot is riding on our precious frog prince. Let’s hope the chemistry is there and they soon start producing copious numbers of wee froglets to perpetrate their froggy line.

But back to nice doctors. Apparently the simple things a doctor says to you can have an impact on your health outcomes. Even a brief reassurance can relieve symptoms faster. The reassurance is more efficacious when it’s said in a kindly manner rather than barked out as a “you’ll be fine” afterthought when you leave the surgery. You can’t quite get away from the fact that the doctor has to be skilled and competent as well as nice. However, most of us have been on the receiving end of one of those grumpy types whose you mistake me for someone who cares demeanour is more likely to cause you to lose the will to live altogether than get well. Their cool indifference renders you as articulate as … well .. a frog .. when you try to describe the pain that was giving you hell until it magically disappeared nano-seconds after you made the appointment..

Anyway, the conclusion of the research was that doctors who don’t connect with their patients my risk undermining a treatment’s success. Apparently doctor-patient rapport is much more than the sum of it’s feel good parts. It’s a important aspect of medical care that significantly affects a patient’s physical health. Are you kidding me? It really does feel like a statement of the bleeding obvious that someone who is kind and sympathetic as well as good at their job is likely to achieve a better result.

The article ended by questioning what this means in the brave new world of artificial intelligence. AI opens the possibility of not having to go to the doctor for minor health issues. If interacting with a human being and hearing words of encouragement is part of the cure, this begs the wider question of whether our increasing isolation is actively bad for our health. As the opportunities and need for actually connecting with a fellow human in many aspects of our lives become progressively fewer, what collateral damage are we setting ourselves up for. Romeo the frog couldn’t help his plight. We can, and yet we continue to write people out of the script of our lives. When us humans humans actually get together face-to-face is, we open up the possibility for  laughter and  love. For conviviality and banter. We get to share the good and help each other through the bad times. You don’t need to be a Stamford luminary  to recognise that gentle and kind connections with other people — Doctors and the rest — are seriously good for our health and unkind, cruel ones are not. Comforting to know this is now “proven by scientists”.

 

Happy New Year … you’re under arrest!

Two burly, unsmiling cops barge into my office and stride purposefully to my desk. “Frances Manwaring?” the taller and meaner of the barks at me. “Er … yes,” I say a little tremulously, wondering what they want. “Frances Manwaring, you’re under arrest. You have the right to remain silent … ” As the cop reels off my Miranda rights, I wonder if I’m in the middle of a nightmare. I pinch myself to be sure, but voice drones on…

OK, so I didn’t get arrested — just wanted to build the drama of the piece. But seriously, it was how I imagined things might have gone down if my business partner hadn’t gone to collect our mail from our PO Box on Tuesday. This is a rare event — nothing of any use comes by snail these days so weeks can go past without either of us stirring our stumps to go and pick up whatever dross has gathered dust. In this case it had been only been a relatively short gap since the last visit and that only because I’m in the middle of a transaction in the UK with an antediluvian, seemingly technophobic insurance company for whom physical mail, for some unfathomable reason, is the only way it will communicate.

Anyway, back comes John with a bundle of letters, mostly bank statements and the usual junk promos. While we’re on the subject, what is it with banks? Mine seem hell-bent on squandering whole forests by continuing to send paper statements, even though I’ve opted for digital versions more times than Kim Kardashian changes her handbags. But I digress — back to the main event. Because I’m hoping to find a reply from the annoying UK insurer, I don’t just lob the whole lot into the recycle bin as I often do. Thats an inspired decision as it turns out. Irritatingly, the hoped for insurance missive isn’t in the stack. Instead, lurking amongst the wad of bank statements, is a formal looking item with “OPEN IMMEDIATELY!” emblazoned on the envelope. How intriguing I think … how very Alice in Wonderland. Then I notice the Ministry of Justice crest and figure it must be something follow up from the Jury Service stint I did in early November. Being a complaint sort of person (!), I open it immediately as instructed without any concerns. But a brief first scan of the the short letter almost stopped my heart.

Nothing magical about this missive! Turns out it’s a summons to appear in court on Thursday at 11am. I’m reading it on Tuesday at about 4.50pm, so the imminence is pretty alarming. Has to be a mistake I think. Must have read it wrong. Reading it again does nothing to alter my first impression — it’s definitely a summons and it’s definitely addressed to me, so not a case of mistaken identity. And the heinous crime that requires my presence in court? A speeding infringement from mid-2016. The letter contains a helpful, but not very imaginative infographic (being MD of a creative agency, I’m quite up on what makes a good infographic) depicting the scary steps involved in the apocalypse triggered by this infringement. If you don’t pay the fine instantly, you get a reminder and some grace to stump up (Step 1). After continued ignoring of reminders (Step 2), the up the ante with a summons to court (Step 3). Failure to appear leads to arrest (Step 4).

Poorly rendered though this infographic is (note to self – send our credentials to MOJ and see if they need a new creative agency), I’m now more than a little freaked out. Us head girl types don’t get summoned to appear in court, it’s just not in our DNA! Anyway, it’s now 4.59pm and I panic dial the Ministry’s 0800 quicker than you can say Great Train Robbers to see WTF is going on and what I can do about it. I thank my lucky stars to find someone still taking calls (at a government agency) after 5pm and I have a very convivial conversation with this saintly person who clearly doesn’t think I’m an axe murderer. Having cleared that up, we quickly cut to the chase. The problem turns out to be a timing issue. I’d just moved house at about the time it happened, so didn’t receive the original fine notice (thanks whoever moved into that house after me and didn’t forward my mail). Then I didn’t notify my change of address to the powers that be before the reminder was sent out, so I also didn’t receive that (another heartfelt thank you to the new incumbent).

It was a little un-nerving how much information about my movements my new BFF was able to access while we were talking. I did vocalise somewhat stridently (not too stridently as I didn’t want to get offside with MOJ) my disappointment and surprise that only the one reminder appears to have been sent, and that there had been no subsequent communications until this summons to court more than two years later. In any case, I had to agree it was a fair cop as I hadn’t sent the change of address out immediately and it was therefore on me that the documents never found me. As you can imagine, I threw in a few mea culpas at this point. I’m sure youll be very happy to know that all it took to fix the problem was a credit card and $60 of creditworthiness. I certainly was! The irony of it all was that the original fine was only something like $12, the rest being penalties and court fees which couldn’t be waived because of my failure to notify change of address. However, she assures me I dont  have to make an appearance in court appearance and the long arm of the law wont be reaching out for me and we’re done. Phew!

Later, I pondered the astonishing amount of effort that goes into a minor misdemeanour when so much other big crime goes unchecked. That’s a story of its own, but there’s another side to this issue. I’ve moved several times in the last few years. I’m pretty diligent about sending out change of address notices to people like the Transport Authority, and I genuinely thought I had notified them all after that particular move. Apparently not. Some time ago I decided to get around this by using my business PO Box as my personal address to avoid all the hassle involved.

But my point is how easy it is to get offside with the law. Many people less advantaged than me also move a lot for all sorts of reasons, including financial or family difficulties. Many more have temporary addresses or no address. For sure, a proportion of these won’t own or drive cars, so won’t be in line to clock up traffic offences. However, I’m sure many of them do and I wonder how much of our policing time is spent arresting people who, like me, didn’t ever get the fine notices in the first place? Being generous, I’m sure most of us would actually stump up, particularly as they offer payment terms.

Don’t get me wrong, I’m not arguing with the law. Curtailing the speed at which people drive makes us all safer and I do try to stay within the legal limits. I’m sure there are recidivists who never pay and deserve to be prosecuted because they clearly don’t care about the consequences. However, from this experience it’s easy to see how quickly things can escalate and suddenly you’re in trouble. I’m sure I wouldn’t actually have been banged up, but I might have landed a criminal record if I’d been convicted. I ended up thinking there but for the grace of God go I if John had postponed his trip to our PO Box by 2 days. Timing is everything! Happy New Year indeed.